๐ŸŒฑ 2026 โ€” ืฉื ื” ืฉืœ ื ืฉื™ืžื” ื—ื“ืฉื”

ืื—ืจื™ ื–ืžืŸ ืืจื•ืš ืฉืœ ืขืฆื™ืจื” ื•ืกื“ืงื™ื, 2026 ืžื‘ืงืฉืช ืžืื™ืชื ื• ืคืฉื•ื˜ ืœื ื•ืข. ื‘ืœื™ ืจืขืฉ, ื‘ืœื™ ื”ื›ืจืขื•ืช ื’ื“ื•ืœื•ืช, ืจืง ืชื ื•ืขื” ืฉืงื˜ื” ืงื“ื™ืžื”. ื”ืฉื ื” ื”ื–ื• ื”ื™ื ืœื ืขืœ ื”ื™ืฉืจื“ื•ืช, ืืœื ืขืœ ื”ื–ื›ื•ืช ืœื‘ื—ื•ืจ ื‘ืžื™ืœื™ื, ื‘ืฉืงื˜, ื‘ื”ืงืฉื‘ื”.ื”ื“ืฃ ื”ื–ื” ืžืจื›ื– ืชื™ืขื•ื“ ืฉืœ ื”ืจื’ืขื™ื ืฉื‘ื”ื ื”ืžื™ืœื™ื ื‘ืกืคืจื™ื ื”ื™ื• ื”ื ืฉื™ืžื” ืฉืœื™. ื›ืืŸ ื ืืกืคื• ื”ืกื™ืคื•ืจื™ื ืฉืขื–ืจื• ืœื™ ืœื”ืืžื™ืŸ ืฉื•ื‘.

๐Ÿก ืžืฉืคื—ื•ืช ืœื ืžืชืคืงื“ื•ืช ๐Ÿ‘‘ ืฉื•ืฉืœื•ืช ืžืœื›ื•ืชื™ื•ืช ื‘ืื ื’ืœื™ื” ๐Ÿ“œ ืจื•ืžืŸ ื”ื™ืกื˜ื•ืจื™ ๐Ÿ” ื”ื–ื“ืžื ื•ืช ืฉื ื™ื™ื” โš”๏ธ ืžืฉื•ื ืื™ื ืœืื•ื”ื‘ื™ื ๐Ÿ† ื–ื•ื›ื™ ืคืจืกื™ื ๐Ÿ˜ฌ ืืžื ื–ื• ืœื ืžื™ืœื” ื’ืกื” ๐Ÿ”ช ืžืชื— ื•ืคืขื•ืœื”

โœจ ืจื’ืขื™ ื”ื‘ื”ื™ืจื•ืช ืฉืœ 2026

ื”ืกืคืจื™ื ืฉื‘ื—ืจืชื™ ืœื”ื›ื ื™ืก ืคื ื™ืžื”; ืืœื• ืฉื”ืจื—ื™ื‘ื• ืืช ื”ื ืฉื™ืžื” ื•ื”ื–ื›ื™ืจื• ืœื™ ืื™ืš ืœื”ืงืฉื™ื‘ ืžื—ื“ืฉ.

Hillbilly Elegy Hillbilly Elegy ืขื˜ื™ืคืช ื”ืกืคืจ Hillbilly Elegy / J.D. Vance, ื‘ื™ืงื•ืจืช ืขืœ ืขื•ื ื™ ื‘ืืžืจื™ืงื”

Hillbilly Elegy / J.D. Vance

ื™ื•ื ื™ 9, 2026 ืชื’ื•ื‘ื” ืื—ืช

Hillbilly Elegy ื”ื•ื ืžืžื•ืืจ ืขืœ ืขื•ื ื™, ื˜ืจืื•ืžื•ืช ื™ืœื“ื•ืช ื•ืชืชึพืชืจื‘ื•ืช ืฉื ื•ืฆืจื” ื‘ืงื”ื™ืœื•ืช ืืคืœืฆืณื™ื•ืช ืฉื ืฉื—ืงื• ืขื ืงืจื™ืกืช

ืงืจื ืขื•ื“ ยป
ื”ื‘ืื•ืœื™ื ื’ ื”ื”ื•ื ืขืœ ื”ื˜ื™ื‘ืจ ื”ื‘ืื•ืœื™ื ื’ ื”ื”ื•ื ืขืœ ื”ื˜ื™ื‘ืจ ืขื˜ื™ืคืช ื”ืกืคืจ ื”ื‘ืื•ืœื™ื ื’ ื”ื”ื•ื ืขืœ ื”ื˜ื™ื‘ืจ ืžืืช ืžื™ื›ืœืื ื’'ืœื• ืื ื˜ื•ื ื™ื•ื ื™ - ืื ื˜ื•ื ื™ื•ื ื™ ื›ื•ืชื‘ ืกื™ืคื•ืจื™ื ืงืฆืจื™ื ื›ืžื• ื‘ืžืื™ ืฉืœ ืชื•ื“ืขื”

ื”ื‘ืื•ืœื™ื ื’ ื”ื”ื•ื ืขืœ ื”ื˜ื™ื‘ืจ/ ืžื™ื›ืœืื ื’'ืœื• ืื ื˜ื•ื ื™ื•ื ื™

ืคื‘ืจื•ืืจ 24, 2026 ืื™ืŸ ืชื’ื•ื‘ื•ืช

ืื ื˜ื•ื ื™ื•ื ื™ ืœื ื›ื•ืชื‘ ืกื™ืคื•ืจื™ื ื›ื“ื™ โ€œืœืกืคืจ ืžื” ืงืจื”โ€. ื”ื•ื ื›ื•ืชื‘ ืืช ื”ืจื’ืข ืฉื‘ื• ืžื—ื•ื•ื”, ืžื‘ื˜

ืงืจื ืขื•ื“ ยป
When Ivy Met Mr When Ivy Met Mr ืขื˜ื™ืคืช ื”ืกืคืจ When Ivy Met Mr. Holiday ืžืืช Jennifer Peel - ื—ื‘ืจื™ื ืœืื•ื”ื‘ื™ื ื•ืคื™ื™ืง ื“ื™ื™ื˜ื™ื ื’, ืื‘ืœ ืขื ื“ืžื•ื™ื•ืช ืฉืžืจื’ื™ืฉื•ืช ืืžื™ืชื™ื•ืช.

When Ivy Met Mr. Holiday/ Jennifer Peel

ืคื‘ืจื•ืืจ 10, 2026 ืชื’ื•ื‘ื” ืื—ืช

ืื•ืกืงืจ ื•ื•ื™ื™ืœื“ ื˜ืขื”, ื’'ื ื™ืคืจ ืคื™ืœ ืฆื•ื“ืงืช, ื•ืื™ื™ื‘ื™ ื”ื™ื ื”ื’ื™ื‘ื•ืจื” ืฉืžื•ื›ื™ื—ื” ืฉื’ื ื‘ืชื•ืš ืงืœื™ืฉืืช ืคื™ื™ืง-ื“ื™ื™ื˜ื™ื ื’ ืืคืฉืจ

ืงืจื ืขื•ื“ ยป
ืกื‘ืชื ื‘ื•ืจื—ืช ืžื”ื‘ื™ืช ืกื‘ืชื ื‘ื•ืจื—ืช ืžื”ื‘ื™ืช ืขื˜ื™ืคืช ื”ืกืคืจ ืกื‘ืชื ื‘ื•ืจื—ืช ืžื”ื‘ื™ืช ืžืืช ืžืื™ืจื” ื‘ืจื ืข-ื’ื•ืœื“ื‘ืจื’ - ืกืคืจ ืขืœ ื–ืงื ื”, ืชืœื•ืช ื•ื›ื‘ื•ื“, ืฉืžืกืจื‘ ืœื”ืคื•ืš ืืช ืกื‘ืชื ืœื“ืžื•ืช ื—ืžื•ื“ื” ื•ืžื ื—ืžืช

ืกื‘ืชื ื‘ื•ืจื—ืช ืžื”ื‘ื™ืช/ ืžืื™ืจื” ื‘ืจื ืข-ื’ื•ืœื“ื‘ืจื’

ืžืจืฅ 30, 2026 5 ืชื’ื•ื‘ื•ืช

ืกื‘ืชื ื‘ื•ืจื—ืช ืžื”ื‘ื™ืช ืฉืœ ืžืื™ืจื” ื‘ืจื ืขึพื’ื•ืœื“ื‘ืจื’ ื”ื•ื ืจื•ืžืŸ ื—ื“, ืžื”ื™ืจ ื•ืžื›ืื™ื‘ ืขืœ ื–ืงื ื”, ืชืœื•ืช ื•ื”ืคื—ื“

ืงืจื ืขื•ื“ ยป

๐Ÿ“Œ ืฉืืจ ื”ืคื•ืกื˜ื™ื

ืื“ื™ ื‘ืœื” ื•ืคืœื• ืื“ื™ ื‘ืœื” ื•ืคืœื• ืขื˜ื™ืคืช ื”ืกืคืจ ืื“ื™, ื‘ืœื” ื•ืœืคื• ืžืืช ืื™ื ื’ื” ืžื•ืœ, ืกืคืจ ื™ืœื“ื™ื ืงืœื™ืœ ื•ืชืžื™ื ืขืœ ื™ืœื“, ื›ืœื‘ื”, ื—ื‘ืจื” ืœืกืคืกืœ ื”ืœื™ืžื•ื“ื™ื, ื“ื•ื“ ื ืื™ื‘ื™, ืขืฉืจื” ืžื™ืœื™ื•ืŸ ื™ื•ืจื• ื•ื”ืจืคืชืงื” ื‘ืคืจื™ื–.

ืื“ื™, ื‘ืœื” ื•ืคืœื• / ืื™ื ื’ื” ืžื•ืœ

ื™ื•ืœื™ 1, 2026 ืื™ืŸ ืชื’ื•ื‘ื•ืช

ืื“ื™, ื‘ืœื” ื•ืคืœื• ืฉืœ ืื™ื ื’ื” ืžื•ืœ ื”ื•ื ืกืคืจ ื™ืœื“ื™ื ืงืœื™ืœ ื•ืชืžื™ื ืขืœ ื™ืœื“, ื›ืœื‘ื”, ื—ื‘ืจื”

ืงืจื ืขื•ื“ ยป
Holy Disorders Holy Disorders ืขื˜ื™ืคืช ื”ืกืคืจ Holy Disorders ืžืืช Edmund Crispin, ืชืขืœื•ืžื” ื‘ืœืฉื™ืช ื‘ื›ื™ื›ื•ื‘ื• ืฉืœ Gervase Fen, ืขื ืงืชื“ืจืœื”, ืžืœื—ืžืช ื”ืขื•ืœื ื”ืฉื ื™ื™ื”, ืฉื ื™ื ื•ืช ืจื‘ื” ื•ืขืœื™ืœื” ืžื‘ื•ืœื’ื ืช ืžื“ื™.

Holy Disorders / Edmund Crispin

ื™ื•ื ื™ 29, 2026 ืื™ืŸ ืชื’ื•ื‘ื•ืช

Holy Disorders ืฉืœ Edmund Crispin ื”ื™ื” ืืžื•ืจ ืœื”ื™ื•ืช ืชืขืœื•ืžื” ื‘ืœืฉื™ืช ืฉื ื•ื ื”, ื’ื•ืชื™ืช ื•ืžื‘ืจื™ืงื” ื‘ื›ื™ื›ื•ื‘ื• ืฉืœ

ืงืจื ืขื•ื“ ยป
ื”ืžื™ื ืฉื‘ื™ืŸ ื”ืขื•ืœืžื•ืช ื”ืžื™ื ืฉื‘ื™ืŸ ื”ืขื•ืœืžื•ืช ืขื˜ื™ืคืช ื”ืกืคืจ ื”ืžื™ื ืฉื‘ื™ืŸ ื”ืขื•ืœืžื•ืช ืžืืช ื”ื’ืจ ื™ื ืื™, ื”ืกืคืจ ื”ืฉื ื™ ื‘ื˜ืจื™ืœื•ื’ื™ื™ืช ื”ืœื•ื•ื™ื™ืชืŸ ืžื‘ื‘ืœ, ืคื ื˜ื–ื™ื” ื™ืฉืจืืœื™ืช ืฉืืคืชื ื™ืช ืขื ืจืขื™ื•ื ื•ืช ื˜ื•ื‘ื™ื, ืฆืœืœื™ื, ืžื™ืชื•ืœื•ื’ื™ื” ื•ืขื•ืžืก ืขืœื™ืœืชื™.

ื”ืžื™ื ืฉื‘ื™ืŸ ื”ืขื•ืœืžื•ืช / ื”ื’ืจ ื™ื ืื™

ื™ื•ื ื™ 26, 2026 ืื™ืŸ ืชื’ื•ื‘ื•ืช

ื”ืžื™ื ืฉื‘ื™ืŸ ื”ืขื•ืœืžื•ืช, ื”ืกืคืจ ื”ืฉื ื™ ื‘ื˜ืจื™ืœื•ื’ื™ื™ืช ื”ืœื•ื•ื™ื™ืชืŸ ืžื‘ื‘ืœ ืฉืœ ื”ื’ืจ ื™ื ืื™, ืžืจื—ื™ื‘ ืขื•ืœื ืคื ื˜ื–ื™ื” ื™ืฉืจืืœื™

ืงืจื ืขื•ื“ ยป
Sleep and Folklore in Popular Culture Sleep and Folklore in Popular Culture ืขื˜ื™ืคืช ื”ืกืคืจ Sleep and Folklore in Popular Culture ืžืืช Franziska E. Kohlt, ืงื•ืจืก ืขืœ ืฉื™ื ื”, ื—ืœื•ืžื•ืช, ืคื•ืœืงืœื•ืจ, ืžื™ืชื•ืœื•ื’ื™ื”, ืื’ื“ื•ืช, ื˜ืจืื•ืžื” ื•ื˜ื›ื ื•ืœื•ื’ื™ื”.

Sleep and Folklore in Popular Culture/ Franziska E. Kohlt

ื™ื•ื ื™ 24, 2026 ืื™ืŸ ืชื’ื•ื‘ื•ืช

ืงื•ืจืก ืงืฆืจ ืขืœ ืฉื™ื ื”, ื—ืœื•ืžื•ืช ื•ื”ืกื™ืคื•ืจื™ื ืฉื”ืชืจื‘ื•ืช ื‘ื ืชื” ืกื‘ื™ื‘ื: ืžื”ื™ืคื ื•ืก ื•ืชื ื˜ื•ืก, ื“ืจืš ื”ื™ืคื”ืคื™ื™ื” ื”ื ืจื“ืžืช, ืืœื™ืก,

ืงืจื ืขื•ื“ ยป
ื—ืฉืžืœ ื‘ืื•ื•ื™ืจ ื—ืฉืžืœ ื‘ืื•ื•ื™ืจ ืขื˜ื™ืคืช ื”ืกืคืจ ื—ืฉืžืœ ื‘ืื•ื™ืจ ืžืืช ืื™ืจื™ืก ืจื™ืœื•ื‘ - ืจื•ืžืŸ ืžืจืฉื™ื ืขืœ ืื™ืฉื” ื‘ืืžืฆืข ื”ื—ื™ื™ื, ื–ื•ื’ื™ื•ืช ื ืฉื—ืงืช, ื’ื™ืœ ืžืขื‘ืจ, ืžืฉื•ืจืจ ืžืŸ ื”ืขื‘ืจ ื•ืชื ื•ืขื” ืžื—ื•ื“ืฉืช ืืœ ื”ื’ื•ืฃ ื•ื”ื›ืชื™ื‘ื”.

ื—ืฉืžืœ ื‘ืื•ื•ื™ืจ/ ืื™ืจื™ืก ืจื™ืœื•ื‘

ื™ื•ื ื™ 21, 2026 ืื™ืŸ ืชื’ื•ื‘ื•ืช

ื ื™ืœื™, ืžืชืจื’ืžืช ื‘ืืžืฆืข ื”ื—ื™ื™ื, ืžื•ืฆืืช ื™ื•ืžืŸ ื™ืฉืŸ ืฉืœ ืžืฉื•ืจืจ ื ืขืจืฅ ืฉืคื’ืฉื” ื‘ื ืขื•ืจื™ื”, ื•ื‘ืžืงื‘ื™ืœ ืžืชืžื•ื“ื“ืช ืขื

ืงืจื ืขื•ื“ ยป
The Red House Mystery The Red House Mystery gyhp, vxpr The Red House Mystery ืžืืช A.A. Milne, ืชืขืœื•ืžืช ื”ืจืฆื— ื”ื™ื—ื™ื“ื” ืฉืœ ืžื—ื‘ืจ ืคื• ื”ื“ื‘, ืขื ื”ื•ืžื•ืจ, ื”ื•ืœืžืก ื•ื•ื˜ืกื•ืŸ ืžืฉื•ืขืฉืขื™ื ื•ืชื—ื›ื•ื ื‘ืœืฉื™ ืžืคืชื™ืข.

The Red House Mystery/ A.A. Milne

ื™ื•ื ื™ 20, 2026 2 ืชื’ื•ื‘ื•ืช

ื. ื. ืžื™ืœืŸ, ื›ืŸ, ื”ื”ื•ื ืžืคื• ื”ื“ื‘, ื›ืชื‘ ืจืง ืกืคืจ ืชืขืœื•ืžื” ืื—ื“. ื‘ืงืจื™ืื” ืจืืฉื•ื ื” ื”ื•ื

ืงืจื ืขื•ื“ ยป
Tilt Tilt ืขื˜ื™ืคืช ื”ืกืคืจ Tilt ืžืืช Emma Pattee, ืจื•ืžืŸ ืขืœ ืื™ืฉื” ื‘ื”ืจื™ื•ืŸ ืžืชืงื“ื ืฉื ืงืœืขืช ืœืจืขื™ื“ืช ืื“ืžื” ื‘ืคื•ืจื˜ืœื ื“, ืคืชื™ื—ื” ื—ื–ืงื” ื•ืคื•ื˜ื ืฆื™ืืœ ื’ื“ื•ืœ ืฉื ืฉื—ืง ื‘ื—ื–ืจืชื™ื•ืช.

Tilt / Emma Pattee

ื™ื•ื ื™ 18, 2026 ืื™ืŸ ืชื’ื•ื‘ื•ืช

ืื ื ื™, ืื™ืฉื” ื‘ื—ื•ื“ืฉ ื”ืชืฉื™ืขื™ ืœื”ืจื™ื•ื ื”, ื ืงืœืขืช ืœืจืขื™ื“ืช ืื“ืžื” ื‘ื–ืžืŸ ื‘ื™ืงื•ืจ ื‘ืื™ืงืื” ื‘ืคื•ืจื˜ืœื ื“. Tilt ื ืคืชื— ื‘ืขื•ืฆืžื”,

ืงืจื ืขื•ื“ ยป
Death in a White Tie Death in a White Tie ืขื˜ื™ืคืช ื”ืกืคืจ Death in a White Tie ืžืืช Ngaio Marsh, ืชืขืœื•ืžืช ืจื•ื“ืจื™ืง ืืœื™ื™ืŸ ืขืœ ืกื—ื™ื˜ื”, ืจืฆื—, ืืฆื•ืœื” ื‘ืจื™ื˜ื™ืช ื•ืคืชืจื•ืŸ ื˜ื•ื‘ ืฉื ืžืจื— ื™ืชืจ ืขืœ ื”ืžื™ื“ื”.

Death in a White Tie/ Ngaio Marsh

ื™ื•ื ื™ 16, 2026 ืื™ืŸ ืชื’ื•ื‘ื•ืช

ืจื•ื“ืจื™ืง ืืœื™ื™ืŸ ื—ื•ืงืจ ืจืฆื— ืฉืฆืžื— ืžืชื•ืš ืกื—ื™ื˜ื” ื‘ืขื•ืœื ื‘ืจื™ื˜ื™ ืืœื’ื ื˜ื™ ื•ืจืงื•ื‘. Death in a White

ืงืจื ืขื•ื“ ยป
ืืกืคืŸ ื”ืชืงื•ื•ืช ืืกืคืŸ ื”ืชืงื•ื•ืช

ืืกืคืŸ ื”ืชืงื•ื•ืช/ ืื‘ื™ื’ื™ืœ ื’'ื•ื ืกื•ืŸ

ื™ื•ื ื™ 15, 2026 ืชื’ื•ื‘ื” ืื—ืช

ื ืขืจ ื‘ืกื™ื›ื•ืŸ ื ืฉืœื— ืœืกื™ื™ืข ืœืงืฉื™ืฉ ืื’ืจืŸ ื‘ืžืกื’ืจืช ืชื•ื›ื ื™ืช ืฆื“ืง ืžืฉืงื. ืืกืคืŸ ื”ืชืงื•ื•ืช ืžื‘ืงืฉ ืœืขืกื•ืง ื‘ื‘ื“ื™ื“ื•ืช,

ืงืจื ืขื•ื“ ยป
The Case of the Gilded Fly The Case of the Gilded Fly ืขื˜ื™ืคืช ื”ืกืคืจ The Case of the Gilded Fly ืžืืช Edmund Crispin, ืชืขืœื•ืžืช ื—ื“ืจ ืกื’ื•ืจ ืื•ืงืกืคื•ืจื“ื™ืช, ืฉื ื•ื ื” ื•ืžื‘ืจื™ืงื”, ืขื ืคืชืจื•ืŸ ืžืชื•ื—ื›ื ืขื“ ื’ื‘ื•ืœ ื”ื”ื’ื™ื ื•ืช.

The Case of the Gilded Fly / Edmund Crispin

ื™ื•ื ื™ 12, 2026 ืื™ืŸ ืชื’ื•ื‘ื•ืช

ื’ืณืจื•ื•ื™ื™ืก ืคืŸ ื—ื•ืงืจ ืจืฆื— ื›ืžืขื˜ ื‘ืœืชื™ ืืคืฉืจื™ ื‘ืขื•ืœื ืฉืœ ืชื™ืื˜ืจื•ืŸ, ืื’ื• ื•ืื™ื ื˜ืœืงื˜ ืื•ืงืกืคื•ืจื“ื™. The Case

ืงืจื ืขื•ื“ ยป
Hillbilly Elegy Hillbilly Elegy ืขื˜ื™ืคืช ื”ืกืคืจ Hillbilly Elegy / J.D. Vance, ื‘ื™ืงื•ืจืช ืขืœ ืขื•ื ื™ ื‘ืืžืจื™ืงื”

Hillbilly Elegy / J.D. Vance

ื™ื•ื ื™ 9, 2026 ืชื’ื•ื‘ื” ืื—ืช

Hillbilly Elegy ื”ื•ื ืžืžื•ืืจ ืขืœ ืขื•ื ื™, ื˜ืจืื•ืžื•ืช ื™ืœื“ื•ืช ื•ืชืชึพืชืจื‘ื•ืช ืฉื ื•ืฆืจื” ื‘ืงื”ื™ืœื•ืช ืืคืœืฆืณื™ื•ืช ืฉื ืฉื—ืงื• ืขื ืงืจื™ืกืช

ืงืจื ืขื•ื“ ยป

๐Ÿคž ืงื‘ืœื• ืžื™ื™ืœ ืžืจื•ื›ื– ืื—ืช ืœืฉื‘ื•ืข!

ืื ื—ื ื• ืœื ืฉื•ืœื—ื™ื ืกืคืื! ืœืžื™ื“ืข ื ื•ืกืฃ ื ื™ืชืŸ ืœืงืจื•ื ืืช ืžื“ื™ื ื™ื•ืช ื”ืคืจื˜ื™ื•ืช ืฉืœื ื•.

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