๐ŸŒ… 2019 โ€” ื‘ื™ืŸ ื”ื“ืžื™ื•ืŸ ืœืžืฆื™ืื•ืช ๐ŸŒ…

ืœืคื ื™ ืฉื”ืขืฉื•ืจ ื ื—ืชื ื•ื”ืขื•ืœื ืขืฆืจ ืืช ื ืฉื™ืžืชื•, 2019 ื”ื™ื™ืชื” ืฉื ื” ืฉืœ ืชืงื•ื•ืช ืชืœื•ื™ื•ืช, ืฆืขื“ื™ื ืจืืฉื•ื ื™ื, ื•ื—ืœื•ืžื•ืช ืฉื ืจืื• ื‘ื”ื™ืฉื’ ื™ื“.
ื›ืืŸ ื ืืกืคื• ื”ืกืคืจื™ื ืฉื”ื“ืœื™ืงื• ืืช ื”ื“ืžื™ื•ืŸ, ื’ื™ืฉืจื• ืขืœ ืคืขืจื™ื ืฉื‘ื™ืŸ ืœื‘ ืœืœื‘, ื•ืœื™ื•ื• ืืช ื”ืงืจื™ืื” ื‘ืขื•ื ื’ ื•ื‘ืจืฆื•ืŸ ืœืขื•ื“.

๐ŸŒธ ื”ืœื‘ ืฉืœื™ ืœืฉื ื” ื”ื–ื•

ืœืื• ื“ื•ื•ืงื ื”ืกืคืจื™ื ื”ื›ื™ ื˜ื•ื‘ื™ื, ืื‘ืœ ืืœื” ืฉืื™ ืืคืฉืจ ื”ื™ื” ืœื”ื•ืฆื™ื ืœื™ ืžื”ืจืืฉ โ€“ ืื• ืžื”ืฉื™ื—ื”.

Little Fires Everywhere ืขื˜ื™ืคืช ื”ืกืคืจ Little Fires Everywhere ืžืืช Celeste Ng - ื“ืจืžื” ืžืฉืคื—ืชื™ืช ืกื•ื—ืคืช, ืจื‘ืช ืงื•ืœื•ืช ื•ืจื‘ืช ืคื ื™ื, ืฉืžืฆืœื™ื—ื” ืœื”ื™ื•ืช ื ื’ื™ืฉื” ื•ืžื˜ืœื˜ืœืช ื’ื ื™ื—ื“...

Little Fires Everywhere/ Celeste Ng

ื“ืจืžื” ืžืฉืคื—ืชื™ืช ืกื•ื—ืคืช, ืจื‘ืช ืงื•ืœื•ืช ื•ืจื‘ืช ืคื ื™ื, ืฉืžืฆืœื™ื—ื” ืœื”ื™ื•ืช ื ื’ื™ืฉื” ื•ืžื˜ืœื˜ืœืช ื’ื ื™ื—ื“…

ืงืจื ืขื•ื“ ยป
ื”ืžืจื’ืœ ื•ื”ื‘ื•ื’ื“

ื”ืžืจื’ืœ ื•ื”ื‘ื•ื’ื“/ ื‘ืŸ ืžืงื ื˜ื™ื™ืจ

ืกื™ืคื•ืจื• ื”ืืžืชื™, ื”ืžื“ื”ื™ื ื•ื”ื‘ืœืชื™ ื™ืืžืŸ ืฉืœ ืื•ืœื’ ื’ื•ืจื“ื™ื™ื‘ืกืงื™, ืกื•ื›ืŸ ื” ืงื’"ื‘ ื”ื‘ื›ื™ืจ ื‘ื™ื•ืชืจ ืฉืจื™ื’ืœ ืขื‘ื•ืจ ื”- MI6 ื”ื‘ืจื™ื˜ื™ ื‘ืžืฉืš ื™ื•ืชืจ ืžืขืฉื•ืจ. ื‘ื›ืชื‘ื” ืžืฉื•ื‘ื—ืช ื‘ืงืฆื‘ ืžืกื—ืจืจ, ืžืชืืจ ื‘ืŸ ืžืงื ื˜ื™ื™ืจ ืืช ืžืขืœืœื™ื• …

ืงืจื ืขื•ื“ ยป
Gone With the Wind

Gone With the Wind/ Margaret Mitchell

ื’ื ื”ื™ื•ื, ื›- 80 ืฉื ื™ื ืœืื—ืจ ืฉื™ืฆื ืœืื•ืจ, "ื—ืœืฃ ืขื ื”ืจื•ื—" ืžืขื•ืจืจ ืขื™ื ื™ื™ืŸ ื•ืกื•ื—ืฃ ืื—ืจื™ื• ืงื•ืจืื™ื ืจื‘ื™ื. ื”ืกืคืจ ืฉื™ืฆื ื‘ื™ื•ื ื™ 1936 ื–ื™ื›ื” ืืช ื”ืกื•ืคืจืช ื‘ืคืจืก ืคื•ืœื™ืฆืจ. ืขืœื™ืœืชื• ืžืชืžืงื“ืช ื‘ืชืงื•ืคืช …

ืงืจื ืขื•ื“ ยป
ื“ื™ื™ื–ื™ ื’'ื•ื ืก ื•ื”ืกื™ืงืก

Daisy Jones & The Six / Taylor Jenkins Reid

ื˜ื™ื™ืœื•ืจ ื’'ื ืงื™ื ืก ืจื™ื“ ื”ื™ื by far ื”ืกื•ืคืจืช ื”ืื”ื•ื‘ื” ืขืœื™ ื‘ื™ื•ืชืจ. ืื ื™ ืจืฆื” ืœืงื ื•ืช ื•ืœืงืจื•ื ื›ืœ ื›ืกืคืจ ืฉื”ื™ื ืžืคืจืกืžืช ื•ื”ื™ื ื’ื•ืจืžืช ืœื™ ืœื‘ื•ืžื™ื ื‘ืœื‘ ื•ืœืขื•ื ื’ ื‘ื ืคืฉ. ืกื™ื™ืžืชื™ ย ….

ืงืจื ืขื•ื“ ยป

โœ๏ธ ื›ืœ ืฉืืจ ื”ืกืคืจื™ื ืฉืงืจืื• ืœื™ ื‘ื“ืจืš

ื—ื™ื™ื” ื”ืฉื ื™ื™ื ืฉืœ ืืœื™ืก/ ืžืืจืง ืœื•ื™

ื”ืชืงื•ืคื” ืชื—ื™ืœืช ืฉื ื•ืช ื”ื—ืžื™ืฉื™ื ื‘ืื ื’ืœื™ื”. ืืœื™ืก ืคื ื“ืœื‘ืจื™ ื•ื—ื‘ืจื™ื” ื™ื•ืฆืื™ื ืœื™ืจื™ื“ ื‘ื‘ืจื™ื™ื˜ื•ืŸ, ืฉื ืืœื™ืก ืชืคื’ื•ืฉ ืžื’ื“ืช ืขืชื™ื“ื•ืช ืฉืชืฉืœื— ืื•ืชื” ืœืžืกืข ืืœ

ืงืจื ืขื•ื“ ยป

ืฉื‘ืข ืื™ืžื”ื•ืช/ ื™ื•ื›ื™ ื‘ืจื ื“ืก

ืžืื•ื“ ื ื”ื ืชื™ ืžืงืจื™ืืช ื”ืกืคืจ ื”ื–ื” ื•ื’ื ืžื”ื”ืงืฉื‘ื” ืœืกื•ืคืจืช ืžืงืจื™ืื” ืื•ืชื•. ื›ืคื™ ืฉืฆื™ื™ื ืชื™, ืื˜-ืื˜ ื™ื•ื›ื™ ื‘ืจื ื“ืก ื”ื•ืคื›ืช ืœืื—ืช ื”ืกื•ืคืจื•ืช ื”ื—ื‘ื™ื‘ื•ืช ืขืœื™

ืงืจื ืขื•ื“ ยป

The Witness/ Nora Roberts

ื‘ื’ื™ืœ 16 ืืœื™ื–ื‘ืช ืื™ื ื” ื—ื™ื™ื” ืืช ื—ื™ื™ื” ื›ื ืขืจื”. ื”ื™ื ืœื•ืžื“ืช ื‘ื”ื•ื•ืืจื“ ื‘ืžืกืœื•ืœ ืœืจืคื•ืื”, ื ืืกืจ ืขืœื™ื” ื—ืื›ื•ืœ ืกื•ื’ื™ ืžื–ื•ืŸ ืžืกื•ื™ื™ืžื™ื ืื•

ืงืจื ืขื•ื“ ยป

ืืฉื” ื‘ื•ืจื—ืช ืžื‘ืฉื•ืจื”/ ื“ื•ื™ื“ ื’ืจื•ืกืžืŸ

3.5 ื›ื•ื›ื‘ื™ื. ืœื• ื”ืกืคืจ ื”ื–ื” ื”ื™ื” ื‘ืื•ืจืš 300 -350 ืขืžื•ื“ื™ื ื”ื™ื™ืชื™ ื ื•ืชื ืช ืœื• 5 ื›ื•ื›ื‘ื™ื, ืื‘ืœ ื”ื•ื ืœื. ื”ื•ื ืžืขืœ

ืงืจื ืขื•ื“ ยป
A Picture of Murder

A Picture of Murder/ T.E. Kinseyย 

ื”ืžืฉืš ืงื•ืจื•ืชื™ื”ืŸ ืฉืœ ืœื™ื™ื“ื™ ื”ืืจื“ืงืืกืœ ื”ืžืจื’ืœืช ื‘ื“ื™ืžื•ืก, ื•ื”ืขื•ื–ืจืช ื”ื ืืžื ื” ืฉืœื” ืคืœื•. ืื ื’ืœื™ื”, 1909. ื”ืจื™ืื ื•ืข ื‘ื—ื™ืชื•ืœื™ื•. ืงื‘ื•ืฆืช ืฉื—ืงื ื™ ืจื™ืื ื•ืข ืžืชืืจื—ืช ื‘ื›ืคืจ ื•ืœื™ื™ื“ื™ ื”ืจืื“ืงืืกืœ ื™ื—ื“ ืขื ืคืœื• ืžืืจื—ื•ืช ืืช ื”ืงื‘ื•ืฆื” ื‘ืื—ื•ื–ื”…

ืงืจื ืขื•ื“ ยป

ืžื—ืจ ื ื™ืกืข ืœืœื•ื ื” ืคืืจืง/ ืื™ืœื ื” ื‘ืจื ืฉื˜ื™ื™ืŸ

"ื™ืฉ ื ืฉื™ื ืฉืœื ืฆืจื™ื›ื•ืช ืœืœื“ืช ื™ืœื“ื™ื, ืืžืจื• ืœื™ ื‘ืจื•ื•ื—ื”. ืฉื ื”ื‘ื™ื ื• ืืช ื–ื” ื”ืจื‘ื” ืœืคื ื™. ืœืคื ื™ ืจื•ื‘ ื”ื ืฉื™ื. ืœื ื›ืœ

ืงืจื ืขื•ื“ ยป

Of Human Bondage/ W. Somerset Maugham

ื”ืกืคืจ ื”ื•ื ืกื™ืคื•ืจ ื—ื ื™ื›ื” ื•ืฆืžื™ื—ื” ืฉืœ ืคื™ืœื™ืค ืงืืจื™. ื”ืกื™ืคื•ืจ ืžืชื—ื™ืœ ื›ืืฉืจ ืคื™ืœื™ืค ื‘ื’ื™ืœ 9 ื•ืžืกืชื™ื™ื ื›ืฉื”ื•ื ื‘ืŸ 30 ื•ื‘ืžื”ืœื›ื• ืคื™ืœื™ืค

ืงืจื ืขื•ื“ ยป

ื”ืชื "ืš ืฉืœ ืืžื/ ื•ืจื“ื” ื”ื•ืจื‘ื™ืฅ

ื”ืจืขื™ื•ืŸ ื‘ื‘ืกื™ืก ื”ืกืคืจ ืžืขื ื™ื™ืŸ ืื‘ืœ ื”ื™ื™ืฉื•ื ื›ืœ ื›ืš ื’ืจื•ืข, ืžืจื•ืฉืœ ื•ืžืฉืขืžื ืฉืื™ืŸ ืฉื•ื ืกื™ื‘ื” ืฉืืžืœื™ืฅ ืขืœ ื”ืกืคืจ ื”ื–ื”. ืกื™ื™ืžืชื™ ืื•ืชื•

ืงืจื ืขื•ื“ ยป

ื–'ื•ืœ/ ื“ื™ื“ื™ื™ื” ื•ืืŸ ืงื•ืืœืืจื˜

ืกืคืจ ื‘ื™ื ื•ื ื™ ืฉื”ืฆื™ื•ืŸ ืฉืœื• ื ืข ื‘ื™ืŸ 2.5 ืœ- 3 ื›ื•ื›ื‘ื™ื ื•ื‘ื›ืœืœ ืœื ื‘ืจื•ืจ ืœื™ ื”ื”ื™ื™ืค ืกื‘ื™ื‘ื•. ืืœื™ืก, ื‘ืช ื”- 30,

ืงืจื ืขื•ื“ ยป

The Last of the Stanfields/ Marc Levy

ืกื™ืคื•ืจ ืžืกืชื•ืจื™ืŸ ืžืขื ื™ื™ืŸ ืฉื‘ื ื•ื™ ื‘ืฆื•ืจื” ืžืจืชืงืช ื•ืฉื•ืื‘ ืœืชื•ืš ื”ืขืœื™ืœื” ื”ื‘ื ื•ื™ื” ืžืฉืœื•ืฉื” ืฆื™ืจื™ ื–ืžืŸ ื•ืฉืœื•ืฉื” ื–ื•ื’ื•ืช ืฉื•ื ื™ื ื”ืฉื–ื•ืจื™ื ื–ื” ื‘ื—ื™ื™ ื–ื”

ืงืจื ืขื•ื“ ยป

ืžื•ืชื• ืฉืœ ืื”ืจื•ืŸ ืืœืงืœืขื™/ ืขื™ื“ื™ืช ืืœื ืชืŸ

ืกืคืจ ืžืขื•ืœื”, ืฉืื™ืœื•ืœื™ ื”ืกื•ืฃ ืฉืœื• ื”ื™ื” ืžืงื‘ืœ ืืฆืœื™ 5 ื›ื•ื›ื‘ื™ื ืžื ืฆื ืฆื™ื. ืื‘ืœ ื”ืกื•ืคืจืช, ืื™ื›ืฉื”ื• ืžืฆืœื™ื—ื” ืœืคืกืคืก ื‘ืขืžื•ื“ื™ื ื”ืื—ืจื•ื ื™ื ืฉืœ ื”ืกืคืจ

ืงืจื ืขื•ื“ ยป

Lucky Suit (The Guys Who Got Away, #6)/ Lauren Blakely

ื—ื‘ื™ื‘. ืื•ืœื™ ื‘ื’ืœืœ ืฉื–ื” ืœื ืจื•ืžืืŸ ื‘ืื•ืจืš ืžืœื ื”ื›ืœ ื ืจืื” ืœื™ ื—ืคื•ื–. ื”ืจืขื™ื•ืŸ ื—ืžื•ื“ ื‘ื™ื•ืชืจ. ื›ืจื™ืกื˜ื™ืŸ ืฉืžืชื™ื™ืืฉืช ืžื“ื™ื™ื˜ื™ื ืฉืžืืจื’ื ื™ื ืœื”

ืงืจื ืขื•ื“ ยป
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