๐ŸŒŸ 2025 โ€” ืกืคืจื™ื ืฉืคืชื—ื• ืื•ืคืง ื—ื“ืฉ

ื”ืฉื ื” ื”ืชื—ื™ืœื” ื‘ืœื™ ื™ื•ืชืจ ืžื“ื™ ื”ื‘ื˜ื—ื•ืช. ืื‘ืœ ืื™ื›ืฉื”ื•, ืžื‘ื™ืŸ ื›ืœ ื”ื“ืคื™ื, ื ื•ืœื“ื• ืกืคืจื™ื ืฉื ื’ืขื•, ื–ื™ื–ืขื•, ื”ืคืชื™ืขื•. ื›ืืŸ ื ืืกืคื• ื”ืจื’ืขื™ื ืฉืงืจืื• ืœื™ ืœืขืฆื•ืจ. ืœื—ืฉื•ื‘. ืœื›ืชื•ื‘ ืื—ืจืช.

๐ŸŒŸ ื”ื›ื•ื›ื‘ื™ื ืฉืœื™ ืœืฉื ื” ื”ื–ื•

4 ืกืคืจื™ื ืฉื™ืžืฉื™ื›ื• ืœื ืฆื ืฅ ื‘ืืคืœื”, ื’ื ืื—ืจื™ ืฉื”ืฉื ื” ืชื›ื‘ื”.

ืงืืจื™ ืกื•ื˜ื• ื—ื•ื–ืจืช

ืงืืจื™ ืกื•ื˜ื• ื—ื•ื–ืจืช/ ื˜ื™ื™ืœื•ืจ ื’'ื ืงื™ื ืก ืจื™ื“

ืงืจืืชื™ ื›ืžืขื˜ ืืช ื›ืœ ื”ืกืคืจื™ื ืฉืœ ื”ืกื•ืคืจืช. ื›ืœ ืกืคืจ ืฉืœื” ื”ื•ื ื—ื’ื™ื’ื” ืœื ืคืฉ ื•ืœืื™ื ื˜ืœื™ื’ื ืฆื™ื”.ย ื”ื™ื ืžืฉืชืžืฉืช ื‘ืืžืฆืขื™ื ืกืคืจื•ืชื™ื™ื ื‘ืžื•ืžื—ื™ื•ืช ื›ื“ื™ ืœื™ื™ืฆืจ ืชื—ื•ืฉื” ืื•ืชื ื˜ื™ืชย ืชื•ืš ืฉื”ื™ื ืžืฉืœื‘ืช ืงื•ืœื•ืช ืžืžืงื•ืจื•ืช ืฉื•ื ื™ื ื›ื“ื™ย ืœืกืคืง ืœืงื•ืจื ื—ื•ื•ื™ื” …

ืงืจื ืขื•ื“ ยป
The Second Sleep

The Second Sleep/ Robert Harris

ืกืคืจ ืžืชื— ืฉืžืชื—ื™ืœ ื›ืžื• ื“ืจืžื” ื™ืžื™ึพื‘ื™ื ื™ื™ืžื™ืช โ€” ื•ืื– ืœื•ืงื— ืคื ื™ื™ื” ืฉืœื ืจืื™ืชื ืื•ืชื” ืžื’ื™ืขื”. ื”ืืจื™ืก ืžืคืชื™ืข ืขื ืžืกืชื•ืจื™ืŸ ื”ื™ืกื˜ื•ืจื™…

ืงืจื ืขื•ื“ ยป
See Her Die

See Her Die/ Melinda Leigh

ื”ืกืคืจ ื”ืฉื ื™ ื‘ืกื™ื“ืจืช ื‘ืจื™ ื˜ืื’ืจื˜, ืฉื›ื•ืœืœืช 11 ืกืคืจื™ื, ืขื•ืžื“ ื‘ื’ื‘ื•ืจื” ื‘ืจืฃ ืฉื”ืฆื™ื‘ ืœื• ื”ืกืคืจ ื”ืจืืฉื•ืŸ. ืขืœื™ืœืช ื”ืกืคืจ ืžืชืจื—ืฉืช ืžืกืคืจ ื—ื•ื“ืฉื™ื ืœืืจ ืกื™ื•ื ื”ืกืคืจ ื”ืจืืฉื•ืŸ. ื‘ืจื™ ืžืงื‘ืœืช ืžื™ื ื•ื™ ื›ืฉืจื™ืฃ ืฉืœ ื”ืžื—ื•ื–…

ืงืจื ืขื•ื“ ยป
the fixer

The Fixer/ Bernard Malamud

ื”ืกืคืจ, ืฉื–ื›ื” ื‘ืคืจืก ืคื•ืœื™ืฆืจ ื‘ืฉื ืช 1967 ื•ืงืจืืชื™ ืื•ืชื• ื‘ืžืกื’ืจืช ื”ืฉืœืžืช ืคืขืจื™ื. ื”ืขืœื™ืœื” ืžืชืจื—ืฉืช ื‘ืจื•ืกื™ื” ื”ืฆืืจื™ืช ื‘ืชื—ื™ืœืช ื”ืžืื” ื”-20. ื‘ื•ื•ื™ืงืคื“ื™ื” ืงืจืืชื™ ืฉื”ื•ื ืžื‘ื•ืกืก ืขืœ ืžืฉืคื˜ ื‘ื™ื™ืœื™ืก – ืžืฉืคื˜ ืืžื™ืชื™ ืฉื”ืชืจื—ืฉ ื‘ืงื™ื™ื‘ ื‘-1913 …

ืงืจื ืขื•ื“ ยป

๐Ÿ“Œ ืฉืืจ ื”ืคื•ืกื˜ื™ื

Dont Tie the Knot ืขื˜ื™ืคืช ื”ืกืคืจ Donโ€™t Tie the Knot ืžืืช Bianca Blythe โ€“ ืจื•ืžืŸ ืจื•ืžื ื˜ื™ ืชืงื•ืคืชื™ ืขืœ ืื”ื‘ื”, ื‘ืœื‘ื•ืœ ื–ื”ื•ื™ื•ืช ื•ื ื™ืกื™ื•ืŸ ืœืžื ื•ืข ื—ืชื•ื ื” ืื—ืช ื™ื•ืชืจ ืžื“ื™.

Don't Tie the Knot / Bianca Blythe

ื›ืฉื—ืชื•ื ื” ืื—ืช ืžืื™ื™ืžืช ืœื”ืคื•ืš ืœื˜ืจื’ื“ื™ื” ื—ื‘ืจืชื™ืช, ืœื•ืจื“ ืกืงื•ื˜ื™ ื ื—ื•ืฉ ืœืžื ื•ืข ืื•ืชื” ื‘ื›ืœ ืžื—ื™ืจ.
ืื‘ืœ ื›ืฉื ื™ืกื™ื•ืŸ ืฉื•ื—ื“ ื”ื•ืคืš ืœืจื•ืžืŸ ืœื ืฆืคื•ื™, ื’ื ื”ื’ื‘ื•ืœื•ืช ื‘ื™ืŸ ื—ื•ื‘ื” ืœืชืฉื•ืงื” ืžืชื—ื™ืœื™ื ืœื”ื™ื˜ืฉื˜ืฉ.
Don't Tie the Knot ื”ื•ื ืจื•ืžืŸ ืชืงื•ืคืชื™ ืฉืžื ืกื” ืœืฉืœื‘ ื”ื•ืžื•ืจ, ืื”ื‘ื” ื•ืžืขืžื“ื•ืช ื•ืœื ืชืžื™ื“ ืงื•ืฉืจ ืืช ื”ืงืฆื•ื•ืช ื›ืžื• ืฉืฆืจื™ืš.

ืงืจื ืขื•ื“ ยป
ื”ื›ืชื™ื‘ื” ืื• ื”ื—ื™ื™ื ืขื˜ื™ืคืช ื”ืกืคืจ ื”ื›ืชื™ื‘ื” ืื• ื”ื—ื™ื™ื ืžืืช ื—ื•ืจื—ื” ืกืžืคืจื•ืŸ -

ื”ื›ืชื™ื‘ื” ืื• ื”ื—ื™ื™ื/ ื—ื•ืจื—ื” ืกืžืคืจื•ืŸ

ื—ื•ืจื—ื” ืกืžืคืจื•ืŸ ืœื ื›ื•ืชื‘ ืขืœ ื”ืฉื•ืื”, ื”ื•ื ื›ื•ืชื‘ ืžืชื•ืš ื”ืฉื•ืื”.
ื”ื›ืชื™ื‘ื” ืื• ื”ื—ื™ื™ื ื”ื•ื ืžืกืข ืคื™ืœื•ืกื•ืคื™ ื‘ื™ืŸ ืฉืชื™ืงื” ืœืฉืคื”, ื‘ื™ืŸ ื”ื™ืฉืจื“ื•ืช ืœืขื“ื•ืช. ืกืคืจ ืขืœ ื”ืื“ื ืฉื ื™ืกื” ืœื—ื™ื•ืช ืœืžืจื•ืช ื”ืžื™ืœื™ื ื•ืขืœ ื”ืžื™ืœื™ื ืฉื ืฉืื• ืืช ื–ื›ืจ ื”ืžืชื™ื.

ืงืจื ืขื•ื“ ยป
ืžื•ื–ื™ืงื” ืœืกื•ืฃ ื˜ื•ื‘ ืขื˜ื™ืคืช ื”ืกืคืจ ืžื•ื–ื™ืงื” ืœืกื•ืฃ ื˜ื•ื‘ ืžืืช ืื‘ื™ ื—ื™ืžื ื– โ€“ ืจื•ืžืŸ ืจื•ืžื ื˜ื™ ืฉื ื•ืŸ ื•ืžืจื’ืฉ ืขืœ ื”ื–ื“ืžื ื•ืช ืฉื ื™ื™ื” ืœืื”ื‘ื” ื•ืœื—ื™ื™ื.

ืžื•ื–ื™ืงื” ืœืกื•ืฃ ื˜ื•ื‘/ ืื‘ื™ ื—ื™ืžื ื–

ืžื•ื–ื™ืงื” ืœืกื•ืฃ ื˜ื•ื‘ ื”ื•ื ืกืคืจ ืฉืžื—ื–ื™ืจ ืืช ื”ืืžื•ื ื” ื‘ื˜ื•ื‘ ืœื‘ ื”ืื ื•ืฉื™.
ืจื•ืžืŸ ืฉื ื•ืŸ, ืžืฆื—ื™ืง ื•ืžืจืคื, ืขืœ ืื™ืฉื” ืฉืื™ื‘ื“ื” ืืช ืื”ื‘ืช ื—ื™ื™ื” ื•ืžื•ืฆืืช ืื•ืชื” ืฉื•ื‘, ื“ืจืš ื›ืœื‘, ืžื•ื–ื™ืงื”, ื•ืื™ืฉ ืื—ื“ ืฉืžืฆืœื™ื— ืœื’ืขืช ื‘ืœื‘ ื‘ื“ื™ื•ืง ื›ืฉื”ื™ื ื—ืฉื‘ื” ืฉื”ื•ื ื”ืคืกื™ืง ืœื ื’ืŸ.

ืงืจื ืขื•ื“ ยป
Murder as a Fine Art ืขื˜ื™ืคืช ื”ืกืคืจ Murder as a Fine Art ืžืืช Carol Carnac โ€“ ืจื•ืžืŸ ื‘ืœืฉื™ ื‘ืจื™ื˜ื™ ืงืœืืกื™ ืžืกื“ืจืช British Library Crime Classics

Murder as a Fine Art / Carol Carnac

ืื—ื“ ื”ืจื•ืžื ื™ื ื”ืืœื’ื ื˜ื™ื™ื ื‘ื™ื•ืชืจ ืฉื™ืฆืื• ืžืชื•ืจ ื”ื–ื”ื‘ ืฉืœ ืกืคืจื•ืช ื”ืžืชื— ื”ื‘ืจื™ื˜ื™ืช.
ืงืจื•ืœ ืงืจื ืง ืื•ืจื’ืช ืคืฉืข ืžื“ื•ื“, ืงืจ ื›ื–ื›ื•ื›ื™ืช, ื‘ืขื•ืœื ืฉื‘ื• ื™ื•ืคื™ ื”ื•ื ืจืง ืžืกื›ื”, ื•ืืžืช ื“ื‘ืจ ืžืกื•ื›ืŸ ื‘ื”ืจื‘ื”.

ืงืจื ืขื•ื“ ยป
ืžื•ืช ืื›ื™ืœืก ืขื˜ื™ืคืช ื”ืกืคืจ ืžื•ืช ืื›ื™ืœืก ืžืืช ื‘ื•ืจื™ืก ืืงื•ื ื™ืŸ - ืืจืืกื˜ ืคื ื“ื•ืจื™ืŸ ื—ื•ื–ืจ ืžืจื•ืกื™ื” ื•ื ืชืงืœ ื‘ื’ื•ืคื” ืฉืœ ื’ื ืจืœ ืื”ื•ื“, ืจื•ืžืŸ ื‘ืœืฉื™ ืžืชื•ื—ื›ื ืขืœ ืžื•ืกืจ, ื ืืžื ื•ืช ื•ืชืขืœื•ืžื” ืื—ืช ื’ื“ื•ืœื” ืžื“ื™.

ืžื•ืช ืื›ื™ืœืก/ ื‘ื•ืจื™ืก ืืงื•ื ื™ืŸ

ืื—ื™ืžืืก, ืจื•ืฆื—ึพืคื™ืœื•ืกื•ืฃ; ื’ื ืจืœ ืžืช; ื‘ืœืฉ ืฉืฉื‘ ืžื™ืคืŸ ืืœ ืจื•ืกื™ื” ืฉื›ื‘ืจ ืื™ื ื” ืื•ืชื” ืืจืฅ. ืžื•ืช ืื›ื™ืœืก ื”ื•ื ืชืขืœื•ืžื” ืžืชื•ื—ื›ืžืช ืฉืœ ื‘ื•ืจื™ืก ืืงื•ื ื™ืŸ, ืฉื‘ื” ื›ืœ ืคืจื˜ ืžืชื•ืื ืœื”ืคืœื™ื. ืื•ืœื™ ืœื”ืคืœื™ื ืžื“ื™…

ืงืจื ืขื•ื“ ยป
Shadow King ืขื˜ื™ืคืช ื”ืกืคืจ Shadow King ืžืืช Lauren Johnson โ€“ Henry VI biography

Shadow King: The Life and Death of Henry VI / Lauren Johnson

ื™ืฉ ืžืœื›ื™ื ืฉื ื•ืœื“ื™ื ืขื ืืฉ ื‘ืขื™ื ื™ื™ื, ื•ื™ืฉ ื›ืืœื” ืฉื ื•ืœื“ื™ื ื›ื“ื™ ืœื”ื™ืฉืจืฃ ื‘ื”.
"ืžืœืš ื”ืฆืœืœื™ื" ืฉืœ ืื ื’ืœื™ื”, ื”ื ืจื™ ื”ืฉื™ืฉื™, ื”ื™ื” ืงื•ืจื‘ืŸ ืžืœื™ื“ื”.
ืกืงื™ืจื” ืขืœ ื“ืžื•ืช ืจื›ื” ืžื“ื™ ืœืขื•ืœื ืฉืžืงื“ืฉ ื›ื•ื—, ื•ืขืœ ืกืคืจ ืฉืžื—ื–ื™ืจ ืœื• ืืช ื”ืื ื•ืฉื™ื•ืช ืฉืื‘ื“ื” ืœื• ื‘ื”ื™ืกื˜ื•ืจื™ื”.

ืงืจื ืขื•ื“ ยป
ืกืขืจืช ืจื’ืฉื•ืช ื›ืจื™ื›ืช ื”ืกืคืจ ืกืขืจืช ืจื’ืฉื•ืช ืžืืช ืฉื˜ืคืŸ ืฆื•ื•ื™ื’ โ€“ ืกื™ืคื•ืจ ืขืœ ืื”ื‘ื” ืืกื•ืจื” ื•ืชืฉื•ืงื” ืžื•ืฉืชืงืช

ืกืขืจืช ืจื’ืฉื•ืช / ืฉื˜ืคืŸ ืฆื•ื•ื™ื’

ืžืื—ื•ืจื™ ืœืฉื•ืŸ ืขื“ื™ื ื” ื•ืื™ืคื•ืง ื’ืจืžื ื™ ืžืกืชืชืจืช ืื—ืช ื”ื™ืฆื™ืจื•ืช ื”ื ื•ืขื–ื•ืช ืฉืœ ืฉื˜ืคืŸ ืฆื•ื•ื™ื’, ืกื™ืคื•ืจ ืื”ื‘ื” ืฉืืกื•ืจ ื”ื™ื” ืœืงืจื•ื ืœื• ื‘ืฉืžื•. ืกืขืจืช ืจื’ืฉื•ืช ื”ื•ื ืจื•ืžืŸ ืขืœ ืชืฉื•ืงื” ื’ื‘ืจื™ืช ืžื•ืฉืชืงืช, ืขืœ ื”ืฉืคื” ื›ื›ืœื ื•ืขืœ ื”ืจื’ืข ืฉื‘ื• ื”ื”ื›ืจื” ื”ืขืฆืžื™ืช ื—ื–ืงื” ืžื›ืœ ืคื—ื“.

ืงืจื ืขื•ื“ ยป
if you love me ืขื˜ื™ืคืช ื”ืกืคืจ If You Love Me ืžืืช Helena Hunting - ืื”ื‘ื” ืฉื ื™ื™ื”, ืกืคื•ืจื˜, ืคืขืจ ื’ื™ืœืื™ื ื•ื”ื•ืจื™ื ื™ื—ื™ื“ื ื™ื™ื If You Love Me ื”ื•ื ืจื•ืžืŸ ื—ื ืขื ืœื‘ ืจื’ื™ืฉ ื•ืจืืฉ ื‘ื•ื’ืจ.

If You Love Me/ Helena Hunting

ืจื•ืžืŸ ืกืคื•ืจื˜ื™ื‘ื™ ืžืกื“ืจืช Toronto Terror, ืขืœ ืื”ื‘ื” ืฉื ื™ื™ื” ื‘ื™ืŸ ืฉื•ืขืจ ื”ื•ืงื™ ื•ืชื™ืง ืœืขื•ื–ืจืช ื”ืžืืžืŸ ื”ืฆืขื™ืจื” ืฉื ื›ื ืกืช ืœืขื•ืœื ื’ื‘ืจื™ ื•ืžืืชื’ืจ. ืกื™ืคื•ืจ ื—ื, ื‘ื•ื’ืจ ื•ืžืจื’ืฉ ืขืœ ืžืฉืคื—ื”, ืื”ื‘ื” ื•ืื•ืžืฅ…

ืงืจื ืขื•ื“ ยป
ื”ื—ื•ืงื™ื ืฉืœ ื”ื‘ื ื•ืช ืขื˜ื™ืคืช ื”ืกืคืจ ื”ื—ื•ืงื™ื ืฉืœ ื”ื‘ื ื•ืช ืžืืช ืžื™ื” ื™ืกืขื•ืจ - ืกืคืจ ื”ืชื‘ื’ืจื•ืช ืื•ื˜ื•ื‘ื™ื•ื’ืจืคื™ ื”ืžืชืจื—ืฉ ื‘ืคื ื™ืžื™ื™ื” ื‘ืฉื“ื” ื‘ื•ืงืจ ืฉืœ ืฉื ื•ืช ื”ึพ90. ืงื•ืœ ื ืฉื™ ื—ื“, ืžืœื ืชืขื•ื–ื” ื•ืคื’ื™ืขื•ืช, ืขืœ ื—ื‘ืจื•ืช, ืคื—ื“, ื•ื’ื™ืœื•ื™ ืขืฆืžื™.

ื”ื—ื•ืงื™ื ืฉืœ ื”ื‘ื ื•ืช/ ืžื™ื” ื™ืกืขื•ืจ

ื”ื—ื•ืงื™ื ืฉืœ ื”ื‘ื ื•ืช ืžืืช ืžื™ื” ื™ืกืขื•ืจ ื”ื•ื ืกืคืจ ื”ืชื‘ื’ืจื•ืช ืื•ื˜ื•ื‘ื™ื•ื’ืจืคื™ ื”ืžืชืจื—ืฉ ื‘ืคื ื™ืžื™ื™ื” ื‘ืฉื“ื” ื‘ื•ืงืจ ืฉืœ ืฉื ื•ืช ื”ึพ90. ืงื•ืœ ื ืฉื™ ื—ื“, ืžืœื ืชืขื•ื–ื” ื•ืคื’ื™ืขื•ืช, ืขืœ ื—ื‘ืจื•ืช, ืคื—ื“, ื•ื’ื™ืœื•ื™ ืขืฆืžื™…

ืงืจื ืขื•ื“ ยป
Honey and Dust -Travels in Search of Sweetness ืขื˜ื™ืคืช ื”ืกืคืจ Honey and Dust: Travels in Search of Sweetness ืžืืช Piers Moore Ede - ืกืคืจ ืฉืžืชื—ืคืฉ ืœืžืกืข ื‘ืขืงื‘ื•ืช ื“ื‘ื•ืจื™ื, ืื‘ืœ ื—ื•ืฉืฃ ืืช ื”ืื“ื ืฉืžืชื‘ื•ื ืŸ ื‘ื”ืŸ ืžื‘ื—ื•ืฅ.

Honey and Dust: Travels in Search of Sweetness/ Piers Moore Ede

ืกืคืจ ืฉืžืชื—ืคืฉ ืœืžืกืข ื‘ืขืงื‘ื•ืช ื“ื‘ื•ืจื™ื, ืื‘ืœ ื—ื•ืฉืฃ ืืช ื”ืื“ื ืฉืžืชื‘ื•ื ืŸ ื‘ื”ืŸ ืžื‘ื—ื•ืฅ. ืคื™ืจืก ืžื•ืจึพืึตื™ื“ึถื” ื™ื•ืฆื ืœื—ืคืฉ ืžืชื™ืงื•ืช ื•ืžื’ืœื” ืฉื›ื“ื™ ืœืžืฆื•ื ืื•ืชื” ืขืœื™ื• ืœื”ืคืกื™ืง ืœืคื—ื“ ืžื”ืขื•ืงืฅ.
ืœื ืกืคืจ ืขืœ ื“ื‘ืฉ, ืืœื ืขืœ ื”ื›ืื‘ ืฉื‘ืœื‘ ื›ืœ ื ื™ืกื™ื•ืŸ ืœืจืคื ืืช ืขืฆืžืš ื“ืจืš ื”ืขื•ืœื.

ืงืจื ืขื•ื“ ยป
ื™ื•ืžื ื” ืฉืœ ื’ื‘ืจืช ื›ืคืจื™ืช ืขื˜ื™ืคืช ื”ืกืคืจ ื™ื•ืžื ื” ืฉืœ ื’ื‘ืจืช ื›ืคืจื™ืช ืžืืช ื"ืž ื“ืœืืคื™ืœื“ - ืกืื˜ื™ืจื” ืื ื’ืœื™ืช ื ืฆื—ื™ืช ืขืœ ื ื™ืฉื•ืื™ื, ืžืขืžื“ ื•ื”ื•ืžื•ืจ ื™ื‘ืฉ

ื™ื•ืžื ื” ืฉืœ ื’ื‘ืจืช ื›ืคืจื™ืช/ ื"ืž ื“ืœืืคื™ืœื“

ืจื•ืžืŸ ืื ื’ืœื™ ืžืฉืขืฉืข ื•ื—ื“, ื”ืžืชืขื“ ืืช ื—ื™ื™ื” ืฉืœ ืขืงืจืช ื‘ื™ืช ื‘ื›ืคืจ ื‘ืฉื ื•ืช ื”ึพ30. ืกืคืจ ืžืœื ื”ื•ืžื•ืจ ื™ื‘ืฉ, ืกืจืงื–ื ื—ื›ื ื•ืชื•ื‘ื ื•ืช ืขืœ ืžืขืžื“, ื ื™ืฉื•ืื™ื ื•ื ืฉื™ื•ืช…

ืงืจื ืขื•ื“ ยป
The Sunne in Splendour ืขื˜ื™ืคืช ื”ืกืคืจ The Sunne in Splendour ืžืืช Sharon Kay Penman - ื“ื™ื•ืงืŸ ืฉืœ ืจื™ืฆโ€™ืจื“ ื”ืฉืœื™ืฉื™, ืžืœืš ืื ื’ืœื™ื” ื”ืื—ืจื•ืŸ ืžื‘ื™ืช ื™ื•ืจืง, ืกื‘ื™ื‘ื• ื”ืชืคืชื—ื• ืžื™ืชื•ืกื™ื ื•ืื’ื“ื•ืช ืคื•ืœื™ื˜ื™ื•ืช.

The Sunne in Splendour/ Sharon Kay Penman

ืจื•ืžืŸ ืขื ืง ืขืœ ื“ืžื•ืช ืฉื ืฉื›ื—ื”, ืขืœ ืžืœืš ืฉื ืจืฆื— ื‘ื–ื™ื›ืจื•ืŸ ื”ืฆื™ื‘ื•ืจื™ ืขื•ื“ ืœืคื ื™ ืฉื ืคืœ ื‘ืงืจื‘. The Sunne in Splendour ืžื‘ื˜ื™ื— ืœื”ืฉื™ื‘ ืœืจื™ืฆโ€™ืจื“ ื”ืฉืœื™ืฉื™ ืืช ืงื•ืœื•, ืืš ืžื’ืœื” ืฉื’ื ืืœืฃ ืขืžื•ื“ื™ื ืœื ืžืกืคื™ืงื™ื ื›ื“ื™ ืœืชืงืŸ ืขื•ื•ืœ ื”ื™ืกื˜ื•ืจื™.

ืงืจื ืขื•ื“ ยป

๐Ÿคž ืงื‘ืœื• ืžื™ื™ืœ ืžืจื•ื›ื– ืื—ืช ืœืฉื‘ื•ืข!

ืื ื—ื ื• ืœื ืฉื•ืœื—ื™ื ืกืคืื! ืœืžื™ื“ืข ื ื•ืกืฃ ื ื™ืชืŸ ืœืงืจื•ื ืืช ืžื“ื™ื ื™ื•ืช ื”ืคืจื˜ื™ื•ืช ืฉืœื ื•.

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