๐ŸŒ… 2019 โ€” ื‘ื™ืŸ ื”ื“ืžื™ื•ืŸ ืœืžืฆื™ืื•ืช ๐ŸŒ…

ืœืคื ื™ ืฉื”ืขืฉื•ืจ ื ื—ืชื ื•ื”ืขื•ืœื ืขืฆืจ ืืช ื ืฉื™ืžืชื•, 2019 ื”ื™ื™ืชื” ืฉื ื” ืฉืœ ืชืงื•ื•ืช ืชืœื•ื™ื•ืช, ืฆืขื“ื™ื ืจืืฉื•ื ื™ื, ื•ื—ืœื•ืžื•ืช ืฉื ืจืื• ื‘ื”ื™ืฉื’ ื™ื“.
ื›ืืŸ ื ืืกืคื• ื”ืกืคืจื™ื ืฉื”ื“ืœื™ืงื• ืืช ื”ื“ืžื™ื•ืŸ, ื’ื™ืฉืจื• ืขืœ ืคืขืจื™ื ืฉื‘ื™ืŸ ืœื‘ ืœืœื‘, ื•ืœื™ื•ื• ืืช ื”ืงืจื™ืื” ื‘ืขื•ื ื’ ื•ื‘ืจืฆื•ืŸ ืœืขื•ื“.

๐ŸŒธ ื”ืœื‘ ืฉืœื™ ืœืฉื ื” ื”ื–ื•

ืœืื• ื“ื•ื•ืงื ื”ืกืคืจื™ื ื”ื›ื™ ื˜ื•ื‘ื™ื, ืื‘ืœ ืืœื” ืฉืื™ ืืคืฉืจ ื”ื™ื” ืœื”ื•ืฆื™ื ืœื™ ืžื”ืจืืฉ โ€“ ืื• ืžื”ืฉื™ื—ื”.

Forever, Interrupted

Forever, Interrupted/ Taylor Jenkins Reid

ืืœื–ื™ ืœื ืฉื™ืขืจื” ื‘ื ืคืฉื” ืฉืชืคื’ื•ืฉ ืืช ื’ื‘ืจ ื—ื™ื™ื” ื‘ืคื™ืฆื” ื•ื‘ืคืจืง ื–ืžืŸ ืฉืœ ื—ืฆื™ ืฉื ื” ืชืชืื”ื‘ ื‘ื• ืขื“ ื›ืœื•ืช ื•ืชื™ื ืฉื ืœื•. ืื‘ืœ ื”ื—ื™ื™ื ืžืคืชื™ืขื™ื ื•ื”ื™ื ืคื•ื’ืฉืช ืืช ื‘ืŸ ืจื•ืก…

ืงืจื ืขื•ื“ ยป
ืขืœ ื”ื“ื‘ืฉ ื•ืขืœ ื”ืžื•ื•ืช ืขื˜ื™ืคืช ื”ืกืคืจ ืขืœ ื”ื“ื‘ืฉ ื•ืขืœ ื”ืžื•ื•ืช ืžืืช ืขืจืŸ ื‘ืจ-ื’ื™ืœ- "ืขืœ ื”ื“ื‘ืฉ ื•ืขืœ ื”ืžื•ื•ืช" ืฉืœ ื‘ืจ ื’ื™ืœ ื”ื•ื ืจื•ืžืŸ ื™ืฉืจืืœื™ ื ื“ื™ืจ ื‘ืขื•ืฆืžืชื•: ืžืฉืคื—ื” ืื—ืช ืฉื ืจืื™ืช ื ื•ืจืžื˜ื™ื‘ื™ืช, ื‘ืŸ ืขื‘ืจื™ื™ืŸ ืฉืžื•ืฉืš ืืช ื›ื•ืœื ืœืชื”ื•ื, ื•ืื ื•ืื‘ ืฉืžื ืกื™ื ื‘ื“ืจื›ื ืœื”ืฆื™ืœ ืžื” ืฉื ื•ืชืจ...

ืขืœ ื”ื“ื‘ืฉ ื•ืขืœ ื”ืžื•ื•ืช/ ืขืจืŸ ื‘ืจ-ื’ื™ืœ

"ืขืœ ื”ื“ื‘ืฉ ื•ืขืœ ื”ืžื•ื•ืช" ืฉืœ ื‘ืจ ื’ื™ืœ ื”ื•ื ืจื•ืžืŸ ื™ืฉืจืืœื™ ื ื“ื™ืจ ื‘ืขื•ืฆืžืชื•: ืžืฉืคื—ื” ืื—ืช ืฉื ืจืื™ืช ื ื•ืจืžื˜ื™ื‘ื™ืช, ื‘ืŸ ืขื‘ืจื™ื™ืŸ ืฉืžื•ืฉืš ืืช ื›ื•ืœื ืœืชื”ื•ื, ื•ืื ื•ืื‘ ืฉืžื ืกื™ื ื‘ื“ืจื›ื ืœื”ืฆื™ืœ ืžื” ืฉื ื•ืชืจ. ื‘ื™ืŸ ืขื‘ืจ ืœื”ื•ื•ื”, ื‘ื™ืŸ ืื”ื‘ื” ืœืืกื•ืŸ, ืžืชื’ืœื” ืกื™ืคื•ืจ ืžืฉืคื—ืชื™ ืฉืžืชื—ื™ืœ ื‘ืฉื•ืœื™ื™ื ื•ื ื’ืžืจ ื‘ืžืจื›ื– ื”ืœื‘…

ืงืจื ืขื•ื“ ยป
Killers of the Flower Moon ืขื˜ื™ืคืช ื”ืกืคืจ Killers of the Flower Moon: The Osage Murders and the Birth of the FBI ืžืืช David Grann โ€“ ืกืคืจ ืžืขื ื™ื™ืŸ ื‘ื—ืœืงื• ื”ื™ืกื˜ื•ืจื™ ื•ื‘ื—ืœืงื• ื ื™ืกื™ื•ืŸ ืœืคืชืจื•ืŸ...

Killers of the Flower Moon: The Osage Murders and the Birth of the FBI/ David Grann

ืกืคืจ ืžืขื ื™ื™ืŸ ื‘ื—ืœืงื• ื”ื™ืกื˜ื•ืจื™ ื•ื‘ื—ืœืงื• ื ื™ืกื™ื•ืŸ ืœืคืชืจื•ืŸ ืชืขืœื•ืžืช ืจืฆื™ื—ื•ืช ืฉืื™ืจืขื” ื‘ืฉื ื•ืช ื”- 20 ืฉืœ ื”ืžืื” ื”- 20 ื‘ืงืจื‘ ื‘ื ื™ ืฉื‘ื˜ ื”ืื•ืกื™ื™ื’', ืฉื‘ื˜ ืื™ื ื“ื™ืื ื™ ืฉื”ืชืขืฉืจ ื›ืชื•ืฆืื” ื”ืžืžื›ื™ืจืช ื–ื™ื›ื™ื•ื ื•ืช ืœืงื™ื“ื•ื—ื™ ื ืคื˜ ื‘ืื“ืžืชื…

ืงืจื ืขื•ื“ ยป
ืฆืขืจื• ื”ืขืชื™ืง ืฉืœ ื”ื™ืจื— ืขื˜ื™ืคืช ื”ืกืคืจ ืฆืขืจื• ื”ืขืชื™ืง ืฉืœ ื”ื™ืจื— ืžืืช ื ืขืžื” ื“ืขื™ - ืืžื•ื ื”, ืฉื‘ืจ ื•ืชืงื•ื•ื”

ืฆืขืจื• ื”ืขืชื™ืง ืฉืœ ื”ื™ืจื—/ ื ืขืžื” ื“ืขื™

ืฆืขืจื• ื”ืขืชื™ืง ืฉืœ ื”ื™ืจื— ืžืืช ื ืขืžื” ื“ืขื™ ื”ื•ื ืจื•ืžืŸ ื™ืฉืจืืœื™ ืขื•ืฆืžืชื™ ื•ืžืจื’ืฉ ืขืœ ืžืฉืคื—ื” ื“ืชื™ืช ืฉื ืงืจืขืช ื‘ื™ืŸ ืืžื•ื ื”, ื›ืื‘ ื•ืชืงื•ื•ื” ืœืื—ืจ ืคื’ื™ืขื” ื˜ืจืื’ื™ืช ื‘ื‘ื ื. ืกื™ืคื•ืจ ืžืจื•ื‘ื“ ืฉืœ ืงื•ืœื•ืช, ืฉืžืขื ื™ืง ื”ืฆืฆื” ื ื“ื™ืจื” ืœืขื•ืžืงื ืฉืœ ื™ื—ืกื™ื ืื ื•ืฉื™ื™ื, ืฉืืœื•ืช ืืžื•ื ื” ื•ื”ื›ื•ื— ืœื”ืžืฉื™ืš.

ืงืจื ืขื•ื“ ยป

โœ๏ธ ื›ืœ ืฉืืจ ื”ืกืคืจื™ื ืฉืงืจืื• ืœื™ ื‘ื“ืจืš

ืžืžืœืืช ืžืงื•ื/ ืจื™ื ืช ืฉื ื™ื™ื“ื•ื‘ืจ

ื ื™ื ื” ืขืœืชื” ืœืืจืฅ ื‘ืœื™ ื”ื•ืจื™ื” ืฉื ืฉืืจื• ื‘ื ื™ื• ืžืงืกื™ืงื•. ื”ื™ื—ืกื™ื ื‘ื™ื ื” ื•ื‘ื™ืŸ ื”ื•ืจื™ื” ืงืจื™ืจื™ื ื•ื”ื™ื ืžื‘ืงืจืช ืื•ืชื ื›ืฉื”ื ืฉื•ืœื—ื™ื ืœื” ื›ืจื˜ื™ืก

ืงืจื ืขื•ื“ ยป

ื“ื™ืจืช ืคืืจ ื‘ืœื•ื ื“ื•ืŸ/ ืฉืจื” ืงืจื™ื™ื‘ืŸ

ืกืคืจ ื—ืžื•ื“ ื•ืžืฉืขืฉืข ืœืคืจืงื™ื ื‘ืžื™ื•ื—ื“ ื”ื“ืžื•ืช ื”ื ืฉื™ืช ื˜ืืœื™ ืคืื’'ื˜ ืฉื”ืชืžื™ืžื•ืช ื”ื›ืคืจื™ืช ืฉืœื” ืžื•ื‘ื™ืœื” ืœืกื™ื˜ื•ืืฆื™ื•ืช ืžืฆื—ื™ืงื•ืช. ื”ื—ืœื•ื ืฉืœ ื˜ืืœื™ ืœื”ื™ื•ืช ืกื•ืคืจืช.

ืงืจื ืขื•ื“ ยป

The Art of Racing in the Rain/ Garth Stein

โ€œThe car goes where the eyes go." ืื ื™ ืœื ืžืฉืชื’ืขืช ืขืœ ืกืคืจื™ื ืฉื”ืขืœื™ืœื” ื‘ื”ื ื ืžืกืจืช ืžื–ื•ื•ื™ืช ืจืื™ื” ืฉืœ ื‘ืขืœ ื—ื™ื™ื.

ืงืจื ืขื•ื“ ยป

ืœื—ื–ื•ืจ ืœื—ื™ื™ื/ ืืŸ ืžืื˜ืจ

ืงืจื™ืื” ืงื•ืœื—ืช ื•ื‘ื™ื—ืก ืœืกืคืจื™ื ืื—ืจื™ื ืฉืœ ื”ื”ื•ืฆืื” ืืคื™ืœื• ืงื™ื™ื ื ื™ืกื™ื•ืŸ ืœืขื‘ื•ืช ืืช ื”ืขืœื™ืœื” ื‘ื ืกื™ื‘ื•ืช ื˜ืจืื’ื™ื•ืช ืฉื™ืชื ื• ืขื•ืžืง. ืื ื™ ื›ื•ืชื‘ืช ื ื™ืกื™ื•ืŸ

ืงืจื ืขื•ื“ ยป

ื‘ื™ืช ืœื™ื“ ื”ื™ื/ ื“ื‘ื™ ืžืงื•ืžื‘ืจ

ื”ื ื™ืงื•ื“ ื‘ื™ืŸ 2.5 ืœ 3 ื›ื•ื›ื‘ื™ื.ืœืžืจื•ืช ืฉื”ืกืคืจ ืžื‘ื•ืกืก ืขืœ ืื™ืจื•ืขื™ื ืืžื™ืชื™ื™ื ืฉื”ืชืจื—ืฉื• ื‘ืžืฆื™ืื•ืช, ื”ื ืœื ืžืชื™ื™ื—ืกื™ื ืœืžืฉืคื—ื” ืงื•ื ืงืจื˜ื™ืช ืื• ืœืื“ื

ืงืจื ืขื•ื“ ยป

ื”ืขืฉื‘/ ืงืœื•ื“ ืกื™ืžื•ืŸ

"ื”ืขืฉื‘" ื”ื•ื ืกื™ืคื•ืจื” ืฉืœ ืžืฉืคื—ื” ืฆืจืคืชื™ืช ื›ืคืจื™ืช. ื”ืกื™ืคื•ืจ ื ืžืกืจ ืžืชื•ื“ืขืชื” ืฉืœ ืœื•ืื™ื–, ื›ืœืช ื”ืžืฉืคื—ื”, ื”ืžืชื‘ื•ื ื ืช ืžื”ืฆื“ ื•ื—ื•ื›ื›ืช ื‘ื“ืขืชื” ื”ืื ืœืขื–ื•ื‘

ืงืจื ืขื•ื“ ยป

ืฉืงื™ืขื” ื›ืคืจื™ืช/ ื™ืฆื—ืง ื‘ืŸ-ื ืจ

ืงื•ื‘ืฅ ืกื™ืคื•ืจื™ื ืžืฆื•ื™ื™ืŸ ื•ืืคื™ืœื• ื˜ื•ื‘ ื™ื•ืชืจ ืžื”ืกืคืจ [b:ื”ืžืกืข ื”ืœื™ืœื™ ื”ืืจื•ืš ื”ื‘ื™ืชื”|32196594|ื”ืžืกืข ื”ืœื™ืœื™ ื”ืืจื•ืš ื”ื‘ื™ืชื”|Yitzhak Ben-Ner|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1474774723l/32196594._SY75_.jpg|24348272] ืื•ืชื• ืื”ื‘ืชื™ ืžืื•ื“. ืœื›ืื•ืจื” ื”ืกื™ืคื•ืจื™ื

ืงืจื ืขื•ื“ ยป

ื‘ืจื™ื›ื” ืขื™ืจื•ื ื™ืช/ ืื“ื•ื” ื‘ื•ืœื”

ืืช ื”ืกื•ืคืจืช ืื“ื•ื•ื” ื‘ื•ืœื” ืกื™ืžื ืชื™ ื›ืกื•ืคืจืช ืžื‘ื˜ื™ื—ื” ื•ืžืกืงืจื ืช ืขื•ื“ ื‘ืกืคืจื” ื”ืงื•ื“ื "ื“ื‘ืจื™ื ืฉืื ื™ ื™ื•ื“ืขืช ืขืœ ืจ".ืžื‘ื—ื™ื ืชื™ ื‘ืกืคืจ "ื‘ืจื™ื›ื” ืขื™ืจื•ื ื™ืช" ืื“ื•ื•ื”

ืงืจื ืขื•ื“ ยป

Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity/ Katherine Boo

ื›ืคื™ ืฉืฆื™ื™ื ืชื™, ืงืจืืชื™ ืืช ื”ืกืคืจ ื›ืฉื™ืฆืื” ื”ืžื”ื“ื•ืจื” ืฉืœื• ื‘ืขื‘ืจื™ืช ื‘ืฉื ืช 2013. ื”ื™ืชื” ืชืงื•ืคื” ืฉืœื ืชื™ืขื“ืชื™ ืืช ื”ื—ื•ื•ื™ื•ืช ืฉืœื™ ืžื”ืงืจื™ืื”, ืœื

ืงืจื ืขื•ื“ ยป

ืืชื™ ื”ื—ื™ื™ื ืžืฉื—ืง ื”ืจื‘ื”/ ื“ื•ื™ื“ ื’ืจื•ืกืžืŸ

ืฉื ื”ืกืคืจ, "ืื™ืชื™ ื”ื—ื™ื™ื ืžืฉื—ืง ื”ืจื‘ื”" ื”ืจืชื™ืข ืื•ืชื™ ื•ื›ืžืขื˜ ืฉืœื ืงืจืืชื™ ืืช ื”ืกืคืจ, ืœื•ืœืื™ ืื™ื™ืงืกื˜ ื”ืขืœื• ืื•ืชื• ืœืืคืœื™ืงืฆื™ื™ืช ื”ืกืคืจื™ื ื”ืžื•ืงืœื˜ื™ื

ืงืจื ืขื•ื“ ยป

ืกื™ืคื•ืจื™ื ืื•ืงืจืื™ื ื™ื™ื/ ื ื™ืงื•ืœืื™ ื•. ื’ื•ื’ื•ืœ

"ืกื™ืคื•ืจื™ื ืื•ืงืจืื™ื ื™ื™ื" ื›ื•ืœืœ ืžืงื‘ืฅ ืฉืœ ื—ืžื™ืฉื” ืกื™ืคื•ืจื™ื ืžืชืงื•ืคืช ื”ื›ืชื™ื‘ื” ื”ืจืืฉื™ืชื™ืช ืฉืœ ื’ื•ื’ื•ืœ.ื”ืกื™ืคื•ืจ ื”ืจืืฉื•ืŸ :"ืžืขืฉื” ื‘ืžืจื™ื‘ื” ืฉืจื‘ ืื™ื•ืŸ ืื™ื•ื•ื ื•ื‘ื™ืฅ ืขื ืื™ื•ื•ืŸ

ืงืจื ืขื•ื“ ยป

ืฉืœืš, ื“ืœื™ื”/ ื“ืœื™ื” ืจื‘ื™ืงื•ื‘ื™ืฅ

ืœืงื˜ ืžื›ืชื‘ื™ื ืฉื›ืชื‘ื” ื“ืœื™ื” ืจื‘ื™ืงื•ื‘ื™ืฅ' ืืœ ืžื™ ืฉื”ื™ื” ื‘ืŸ ื–ื•ื’ื” ื•ืืฃ ื‘ืขืœื” ืœืคืจืง ื–ืžืŸ ืงืฆืจ ื™ื•ืกืฃ ื‘ืจ ื™ื•ืกืฃ. ืื™ืŸ ืœื™

ืงืจื ืขื•ื“ ยป
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