๐ŸŒ… 2019 โ€” ื‘ื™ืŸ ื”ื“ืžื™ื•ืŸ ืœืžืฆื™ืื•ืช ๐ŸŒ…

ืœืคื ื™ ืฉื”ืขืฉื•ืจ ื ื—ืชื ื•ื”ืขื•ืœื ืขืฆืจ ืืช ื ืฉื™ืžืชื•, 2019 ื”ื™ื™ืชื” ืฉื ื” ืฉืœ ืชืงื•ื•ืช ืชืœื•ื™ื•ืช, ืฆืขื“ื™ื ืจืืฉื•ื ื™ื, ื•ื—ืœื•ืžื•ืช ืฉื ืจืื• ื‘ื”ื™ืฉื’ ื™ื“.
ื›ืืŸ ื ืืกืคื• ื”ืกืคืจื™ื ืฉื”ื“ืœื™ืงื• ืืช ื”ื“ืžื™ื•ืŸ, ื’ื™ืฉืจื• ืขืœ ืคืขืจื™ื ืฉื‘ื™ืŸ ืœื‘ ืœืœื‘, ื•ืœื™ื•ื• ืืช ื”ืงืจื™ืื” ื‘ืขื•ื ื’ ื•ื‘ืจืฆื•ืŸ ืœืขื•ื“.

๐ŸŒธ ื”ืœื‘ ืฉืœื™ ืœืฉื ื” ื”ื–ื•

ืœืื• ื“ื•ื•ืงื ื”ืกืคืจื™ื ื”ื›ื™ ื˜ื•ื‘ื™ื, ืื‘ืœ ืืœื” ืฉืื™ ืืคืฉืจ ื”ื™ื” ืœื”ื•ืฆื™ื ืœื™ ืžื”ืจืืฉ โ€“ ืื• ืžื”ืฉื™ื—ื”.

ื‘ืจื™ืช ืฉืœ ื›ื‘ื•ื“ ืขื˜ื™ืคืช ื”ืกืคืจ ื‘ืจื™ืช ืฉืœ ื›ื‘ื•ื“ ืžืืช ืงื•ืจื” ืจื™ื™ืœื™ โ€“ ืคืชื™ื—ื” ืžืกื—ืจืจืช ืœืื—ืช ื”ืกื“ืจื•ืช ื”ืื”ื•ื‘ื•ืช. ื‘ื’ื™ืœ 15 ...

ื‘ืจื™ืช ืฉืœ ื›ื‘ื•ื“/ ืงื•ืจื” ืจื™ื™ืœื™

ืคืชื™ื—ื” ืžืกื—ืจืจืช ืœืื—ืช ื”ืกื“ืจื•ืช ื”ืื”ื•ื‘ื•ืช. ื‘ื’ื™ืœ 15 ืืจื™ื” ืกืงื•ื“ืจื™, ื‘ืชื• ืฉืœ ื”ืงื•ื ืกื•ืœื™ื™ืจื™ ืฉืœ ืฉื™ืงื’ื• ืžืฉื•ื“ื›ืช ืœืœื•ืงื” ื•ื™ื˜ื™ืืœื•, ืžื™ ืฉื™ื”ื™ื” ื”ืงืืคื• ื“ื™ ืงืืคื™ ืฉืœ ื ื™ื• ื™ื•ืจืง. ื”ื ื™ืฉื•ืื™ื ื ื•ืขื“ื• ืœืงืฉื•ืจ ื‘ืจื™ืช ื‘ื™ืŸ…

ืงืจื ืขื•ื“ ยป
ืžืžืขืจื‘ ืœื™ืจื—

ืžืžืขืจื‘ ืœื™ืจื—/ ืžื™ื›ืœ ืฉืœื•

ืกืคืจ ืžืงืกื™ื ื‘ื‘ื™ืฆื•ืข ืžืขื•ืœื” ืฉืœ ืื•ืจื ื” ืคื™ื˜ื•ืกื™. ื”ืกืคืจ ื ืข ื‘ืฉื ื™ ืฆื™ืจื™ื ืฉืžืชืื—ื“ื™ื ืœืงืจืืช ืกื•ืฃ ื”ืกืคืจ. ื‘ืฆื™ืจ ื”ืจืืฉื•ืŸ, ืกื™ืคื•ืจ ื—ื™ื™ื• ืฉืœ ื™ื•ืื‘ ืกืขืจ, ื‘ืŸ ืงื™ื‘ื•ืฅ ืฉืื™ืžื• ื”ื ื•ืจื•ื•ื’ื™ืช ืขื–ื‘ื” ืืช …

ืงืจื ืขื•ื“ ยป
Killers of the Flower Moon ืขื˜ื™ืคืช ื”ืกืคืจ Killers of the Flower Moon: The Osage Murders and the Birth of the FBI ืžืืช David Grann โ€“ ืกืคืจ ืžืขื ื™ื™ืŸ ื‘ื—ืœืงื• ื”ื™ืกื˜ื•ืจื™ ื•ื‘ื—ืœืงื• ื ื™ืกื™ื•ืŸ ืœืคืชืจื•ืŸ...

Killers of the Flower Moon: The Osage Murders and the Birth of the FBI/ David Grann

ืกืคืจ ืžืขื ื™ื™ืŸ ื‘ื—ืœืงื• ื”ื™ืกื˜ื•ืจื™ ื•ื‘ื—ืœืงื• ื ื™ืกื™ื•ืŸ ืœืคืชืจื•ืŸ ืชืขืœื•ืžืช ืจืฆื™ื—ื•ืช ืฉืื™ืจืขื” ื‘ืฉื ื•ืช ื”- 20 ืฉืœ ื”ืžืื” ื”- 20 ื‘ืงืจื‘ ื‘ื ื™ ืฉื‘ื˜ ื”ืื•ืกื™ื™ื’', ืฉื‘ื˜ ืื™ื ื“ื™ืื ื™ ืฉื”ืชืขืฉืจ ื›ืชื•ืฆืื” ื”ืžืžื›ื™ืจืช ื–ื™ื›ื™ื•ื ื•ืช ืœืงื™ื“ื•ื—ื™ ื ืคื˜ ื‘ืื“ืžืชื…

ืงืจื ืขื•ื“ ยป
Little Fires Everywhere ืขื˜ื™ืคืช ื”ืกืคืจ Little Fires Everywhere ืžืืช Celeste Ng - ื“ืจืžื” ืžืฉืคื—ืชื™ืช ืกื•ื—ืคืช, ืจื‘ืช ืงื•ืœื•ืช ื•ืจื‘ืช ืคื ื™ื, ืฉืžืฆืœื™ื—ื” ืœื”ื™ื•ืช ื ื’ื™ืฉื” ื•ืžื˜ืœื˜ืœืช ื’ื ื™ื—ื“...

Little Fires Everywhere/ Celeste Ng

ื“ืจืžื” ืžืฉืคื—ืชื™ืช ืกื•ื—ืคืช, ืจื‘ืช ืงื•ืœื•ืช ื•ืจื‘ืช ืคื ื™ื, ืฉืžืฆืœื™ื—ื” ืœื”ื™ื•ืช ื ื’ื™ืฉื” ื•ืžื˜ืœื˜ืœืช ื’ื ื™ื—ื“…

ืงืจื ืขื•ื“ ยป

โœ๏ธ ื›ืœ ืฉืืจ ื”ืกืคืจื™ื ืฉืงืจืื• ืœื™ ื‘ื“ืจืš

ื”ื›ืœื” ืฉื‘ืจื—ื” (The Howard Sisters #2)/ ืฉื ื˜ืœ ืฉืื•

ืœื ื”ืชื—ื‘ืจืชื™ ืžื”ื”ืชื—ืœื”. ืœืกื™ืคื•ืจ ื”ื™ื” ืคื•ื˜ื ืฆื™ืืœ ืžืกื•ื™ื™ื, ืื‘ืœ ื”ืกื™ืคื•ืจ ืขืฆืžื• ื”ื™ื” ืขืžื•ืก ืžื™ื“ื™ ื‘ืคืจื˜ื™ื ืžื™ื•ืชืจื™ื ื•ื‘ืื™ ืกื‘ื™ืจื•ื™ื•ืช ื›ืžื• ื”ืขื•ื‘ื“ื” ืฉืœื•ืงื”

ืงืจื ืขื•ื“ ยป

ื‘ื•ืฉื ืžืœื›ื•ืชื™/ ืื‘ื™ ื’ืจื™ืŸ

ื”ืกืคืจื™ื ื”ืืœื” ื”ื ื›ืžื• ืคื™ืฆื•ื—ื™ื. ืคื™ืชื•ื™ ืฉืจื•ื‘ืฅ ืœืคืชื—ื• ืฉืœ ืงืจืืŸ ืื•ื‘ืกืกื™ื‘ื™ ื›ืžื•ื ื™. ืฉืœื ืœื“ื‘ืจ ืขืœ ื›ืš ืฉืขื“ ืฉืœื ืืกื™ื™ื ืœืงืจื•ื

ืงืจื ืขื•ื“ ยป

ืœื”ืจื•ื’ ืืช ื”ื›ืœื‘ ื”ืฉื ื™/ ืžืืจืง ื—ืœืืกืงื•

ืžืืจืง ื—ืœืืกืงื• ื ื–ืจืง ืžืคื•ืœื™ืŸ ื•ื ืฉืœื— ืœื’ืœื•ืช ืข"ื™ ื”ืฉืœื˜ื•ืŸ ื”ืงื•ืžื•ื ื™ืกื˜ื™. ื”ื•ื ื”ื’ื™ืข ืœืืจืฅ ื™ืฉืจืืœ ืฉืœ ืฉื ื•ืช ื”ื—ืžื™ืฉื™ื ื•ื‘ืžืฉืš ืฉื ืชื™ื™ื ืฉืฉื”ื” ื›ืืŸ

ืงืจื ืขื•ื“ ยป

ื”ื ืกื™ืš ื•ื ืขืจืช ื”ื›ืคืจ/ ืืŸ ื•ื•ืกื˜

ืกื™ืคื•ืจ ืกื™ื ื“ืจืœื” ืžื•ื“ืจื ื™ ืขื ื˜ื•ื•ื™ืกื˜ ืžืกื•ื™ื™ื, ืฉื‘ื• ืกื™ื ื“ืจืœื” ื”ื™ื ืœื ื‘ืืžืช ืœื™ื›ืœื•ื›ื™ืช ืืœื ื ืฆืจ ืœืžืฉืคื—ืช ืžืœื•ื›ื”.ื—ื‘ื™ื‘ ื‘ื™ื•ืชืจ. ื”ื“ืžื•ืช ืฉืœ ื”ื ืกื™ืš

ืงืจื ืขื•ื“ ยป

ื”ื‘ืจื™ื•ืŸ ืฉืœ ืืจืฆ'ืจ/ ื“ื™ืื ื” ื•ื•ื™ืŸ ื’'ื•ื ืก

ืกืคืจ ืžืงืกื™ื. ื”ื•ื•ืืจื“ ืกื™ื™ืงืก ื‘ืŸ ื”- 13 ื”ื•ื ื ืขืจ ื ื•ืจืžืืœื™ ื”ืžืชื’ื•ืจืจ ืขื ืื‘ื™ื• ื”ืกื•ืคืจ, ืื™ืžื• ื”ืžื•ื–ื™ืงืื™ืช, ืื—ื•ืชื• ื”ืžื›ื•ื ื” "ืื™ื•ืžื”" ื•ื”ื‘ื™ื™ื‘ื™

ืงืจื ืขื•ื“ ยป

Feminasty: The Complicated Woman's Guide to Surviving the Patriarchy Without Drinking Herself to Death/ Erin Gibson

ืกืคืจ ืžืฆื—ื™ืง ืœืคืจืงื™ื ืฉืžืชืืจ ืชื•ืคืขื•ืช ื—ื‘ืจืชื™ื•ืช ืฉื ื•ื’ืขื•ืช ืœื ืฉื™ื, ืืช ื”ื ื•ืจืžื•ืช ื”ื—ื‘ืจืชื™ื•ืช ื”ืฉืžืจื ื™ื•ืช ื•ืืช ื”ืื•ืคืŸ ืฉื‘ื• ื”ืžื—ื‘ืจืช ืžืฆื™ืขื” ืœื”ืชืžื•ื“ื“ ืขื ืื•ืชืŸ

ืงืจื ืขื•ื“ ยป

ืžื•ื˜ื™ ืžืจืฆื™ืื ื•, ื‘ืœืฉ ืคืจื˜ื™/ ื™ื•ื ืชืŸ ื™ื•ื‘ืœ

ืกืคืจ ืžืคืชื™ืข ื‘ืื™ื›ื•ืชื•. ื™ื›ื•ืœ ืœื”ื™ืงืจื ื›ืกื™ืคื•ืจื™ื ืงืฆืจื™ื ืื• ื›ืคืจืงื™ื ื‘ืกื™ืคื•ืจื• ืฉืœ ืžื•ื˜ื™ ืžืจืฆื™ืื ื•. ื›ืชื™ื‘ื” ืžืฉื•ื‘ื—ืช ื™ืฉ ื‘ื” ืžืฉื”ื• ืžื‘ืจื™ืง ื‘ืœื”ื˜ื•ื˜ื™ื

ืงืจื ืขื•ื“ ยป

The Elephant in the Brain: Hidden Motives in Everyday Life/ Kevin Simler

ื—ืฉื‘ืชื™ ืฉื”ืกืคืจ ื”ื–ื” ื™ื”ื™ื” ืžืฉื”ื• ืื—ื“ ื•ื”ืกืชื‘ืจ ืฉื”ื•ื ืžืฉื”ื• ืื—ืจ. ื”ืกืคืจ ืžืขื ื™ื™ืŸ, ืื‘ืœ ืžืชื‘ื“ืจ ืœื›ืœ ืžื™ื ื™ ื›ื™ื•ื•ื ื™ื ืฉืœื ืชืžื™ื“ ื™ืฉ

ืงืจื ืขื•ื“ ยป

ื”ืื™/ ื’'ืื ื™ ืกื˜ื•ืคืจื™ืฅ'

3.5 ื›ื•ื›ื‘ื™ื ืกื™ืคื•ืจ ืคืจื™ื“ื” ืฉืœ ืื‘ ื•ื‘ืŸ. ื”ืื‘ ืžื–ืžื™ืŸ ืืช ื”ื‘ืŸ ืœื‘ืœื•ืช ืขื™ืžื• ืืช ื”ืงื™ืฅ ื”ืื—ืจื•ืŸ ื‘ืื—ื“ ื”ืื™ื™ื ื”ืื“ืจื™ืื˜ื™ื ื‘ื•

ืงืจื ืขื•ื“ ยป

ืžืจ 365/ ืจื•ืช ืงืœืžืคื˜

ืกืคืจ ืกืชืžื™ ื•ื“ื™ ืฆืคื•ื™. ืœืงื— ืœื™ ื™ื•ื‘ืœื•ืช ืœืกื™ื™ื ืื•ืชื• ื‘ื’ืœืœ ืฉืœื ื”ืจื’ืฉืชื™ ืืช ื”ื—ื™ื‘ื•ืจ ื‘ื™ืŸ ื”ื“ืžื•ืช ืฉืœ ืกื•ืคื™ื” ืœื“ืžื•ืช ืฉืœ

ืงืจื ืขื•ื“ ยป

ื”ื›ืœ ืื•ื“ื•ืช ื—ื‘ื™ื‘ื”/ ื™ืจื•ืŸ ืคืจื™ื“

ื—ื‘ื™ื‘ื” ืจื•ื–, ืฉื—ืงื ื™ืช ืชืื˜ืจื•ืŸ ืžื–ื“ืงื ืช ืฉืžืกืจื‘ืช ืœืคื ื•ืช ืืช ื‘ืžืช ื”ืชืื˜ืจื•ืŸ ื‘ื—ื™ื ื ื™ื•ืช ื•ื‘ืจืฆื•ืŸ ื›ืคื™ ืฉืžืฆืคื™ื ืžืžื ื”. ื‘ื’ื™ืœ 78, ื”ื™ื ื ื—ืฉื‘ืช ืœืื—ืช

ืงืจื ืขื•ื“ ยป

ืฉื‘ื•ืขืช ืจื—ืœ/ ืžื™ื›ืœ ืฉืœื•

ืกืคืจ ืฉื™ื›ืœ ืœื”ื™ื•ืช ืžืฆื•ื™ื™ืŸ (ืœืคื—ื•ืช ื‘ื—ืœืง ืฉืžืชืืจ ืืช ืกื™ืคื•ืจื” ืฉืœ ืจื—ืœ) ืื™ืœื•ืœื™ ื”ื—ืœืง ื”ืื—ืจื•ืŸ ืฉืœื• ืฉืœื“ืขืชื™ ื”ื™ื” ืงืฆืช ืชืœื•ืฉ ื•ื’ื

ืงืจื ืขื•ื“ ยป
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