๐ŸŽˆ 2018 โ€” ื›ืœ ืžื” ืฉืงืจื” ืœืคื ื™ ืฉื”ื›ืœ ื”ืฉืชื ื”

2018 ื”ื™ื™ืชื” ืฉื ื” ืฉืœ ืงืฆื‘ ืจื’ื•ืข ื™ื•ืชืจ, ืจื’ืข ืœืคื ื™ ื”ืขื™ื“ืŸ ื”ื‘ื. ื›ืืŸ ืชืžืฆืื• ืกืคืจื™ื ืฉืœื™ื•ื• ืื•ืชื™ ื‘ืฉืงื˜, ื‘ืื•ืจ, ื•ื‘ืชื—ื•ืฉืช ื”ืืคืฉืจื•ืช ืฉืขื“ื™ื™ืŸ ืžืจื—ืคืช ื‘ืื•ื•ื™ืจ.

๐ŸŽˆ ืกืคืจื™ื ืฉืื”ื‘ืชื™ ืœืคื ื™ ืฉื”ืขื•ืœื ื”ืฉืชื ื”

ื”ื‘ื—ื™ืจื•ืช ื”ืจื›ื•ืช ืฉืœ ื”ืฉื ื” ื”ื–ื• โ€” ืืœื” ืฉืคืฉื•ื˜ ื”ืจื’ื™ืฉื• ืœื™ ื ื›ื•ืŸ, ื‘ืœื™ ืฆื•ืจืš ืœื”ืกื‘ื™ืจ.

ื”ืื“ืžื” ื”ื˜ื•ื‘ื”

ื”ืื“ืžื” ื”ื˜ื•ื‘ื”/ ืคืจืœ ืก. ื‘ืง

"ื”ืื“ืžื” ื”ื˜ื•ื‘ื”", ื”ื™ื ืกืื’ื” ืžืฉืคื—ืชื™ืช ื”ืžืชืืจืช ืืช ืขืœื™ื™ืชื• ืฉืœ ื”ืื™ื›ืจ ื•ืื ื’ ืœื•ื ื’ ืœืžืขืžื“ ื‘ืขืœื™ ื”ื”ื•ืŸ ื‘ืกื™ืŸ. ื•ืื ื’ ืœื•ื ื’ ื ื•ืœื“ ืœืžืฉืคื—ืช ืื™ื›ืจื™ื ืขื ื™ื™ื” ื‘ืกื™ืŸ. ื”ื•ื ื•ืื‘ื™ื• ืžืชืงื™ื™ืžื™ื ืžื”ืื“ืžื” ืฉืœืคืขืžื™ื ืžืื›ื–ื‘ืช ….

ืงืจื ืขื•ื“ ยป
ื•ืœื ื ื•ืชืจ ืืฃ ืื—ื“

ื•ืœื ื ื•ืชืจ ืืฃ ืื—ื“ /ืื’ืชื” ื›ืจื™ืกื˜ื™

ื›ืจื’ื™ืœ ืื’ืชื” ื›ืจื™ืกื˜ื™ ืžืกืคืงืช ืืช ื”ืกื—ื•ืจื”, ืžืชื— ืžืฉื•ืœื‘ ื‘ื”ื ืื” ื‘ืขืœื™ืœื” ืื™ื ื˜ื™ืœื™ื’ื ื˜ื™ืช. ื‘ื ื™ื’ื•ื“ ืœืกืคืจื™ื ืื—ืจื™ื ืฉืœื” , ื‘ืกืคืจ ื”ื ื•ื›ื—ื™ ืœื ืชืžืฆืื• ืืช ื”ื‘ืœืฉ ืื• ืืช ืขื•ื–ืจื• ื”ืžืกื•ืจ ืฉื™ืชื•ื•ื›ื• ืืช ื”ืขืœื™ืœื” ื•ื™ืกื™ื™ืขื• ื‘ืคืชืจื•ืŸ ….

ืงืจื ืขื•ื“ ยป
ืกืคืง ืกื‘ื™ืจ

ืกืคืง ืกื‘ื™ืจ/ ื•ื•ื™ื˜ื ื™ ื’โ€™ื™

ื”ื ืื” ืฆืจื•ืคื”. ืœื–'ืื ืจ ื”ื–ื” ื”ืกืคืจ ืคืฉื•ื˜ ืžืฆื•ื™ื™ืŸ, ื”ืžืฉืขืฉืข ื•ืžืฆื—ื™ืง ืขื ืžื™ื“ื” ืจืื•ื™ื” ืฉืœ ืจื•ืžื ื˜ื™ืงื” ื•ืกืงืก. ื”ืขืœื™ืœื”, ืื ื“ืจื• ืขื•ืจืš ื“ื™ืŸ ืžื‘ืจื™ืง ืฉืžืชื™ื™ื—ืก ืœื ืฉื™ื …

ืงืจื ืขื•ื“ ยป
Maybe in Another Life

Maybe in Another Life/ Taylor Jenkins Reid

ื‘ื’ื™ืœ 16 ื›ืฉื”ื”ื•ืจื™ื ืฉืœ ื”ืื ื” ืขื–ื‘ื• ืœืœื•ื ื“ื•ืŸ, ื”ื™ื ื ืฉืืจื” ืžืื—ื•ืจ ื‘ืœื•ืก ืื ื’ืœืก ื•ื—ื™ื™ื” ืขื ื—ื‘ืจืชื” ื’ื‘ื™ ื”ื“ืกื•ืŸ ื•ืžืฉืคื—ืชื”. ื”ื™ื ืžืžืฉื™ื›ื” ืœืœื™ืžื•ื“ื™ื ื‘ืงื•ืœื’' ื•ืขื•ื‘ืจืช ืฉืฉ ืขืจื™ื ื‘ืžื“ื™ื ื•ืช ืฉื•ื ื•ืช ื•ืขื‘ื•ื“ื•ืช …

ืงืจื ืขื•ื“ ยป

๐Ÿ“Œ ืฉืืจ ื”ืคื•ืกื˜ื™ื

In the Market for Murder

In the Market for Murder/ T.E. Kinseyย 

ืื—ื—ื— ืื ื™ ืžืชืžื•ื’ื’ืช ืžืขืœื™ืœื•ืช ืœื™ื™ื“ื™ ื”ืืจื“ืงืืกืœ ื•ืคืœื•ืจื ืก ืืจืžืกื˜ืจื•ื ื’. ื”ืื—ืช ื–ืงื ื” ืื ื’ืœื™ื” ื—ื‘ื™ื‘ื” ื•ื—ื“ืช ืžื—, ื•ื”ืฉื ื™ื” ืฆืขื™ืจื” ืฉื•ื‘ื‘ื” ืขื ื›ื™ืฉื•ืจื™ื ืฉืœื ื”ื™ื• ืžื‘ื™ื™ืฉื™ื ืืฃ ืœื•ื—ื ื ื™ื ื’'ื” ื—ืžืงื ื™. ืขืœื™ืœืช ื”ืกืคืจ…

ืงืจื ืขื•ื“ ยป
ืกื•ืก ืื—ื“ ื ื›ื ืก ืœื‘ืจ

ืกื•ืก ืื—ื“ ื ื›ื ืก ืœื‘ืจ/ ื“ื•ื™ื“ ื’ืจื•ืกืžืŸ

ืื ื™ ืืžื‘ื™ื•ื•ืœื ื˜ื™ืช ืœื’ื‘ื™ ื”ืกืคืจื™ื ืฉืœ ื’ืจื•ืกืžืŸ. ืืช ื—ืœืงื ืื ื™ ืื•ื”ื‘ืช, ื‘ื™ื—ื•ื“ ืืช ืกืคืจื™ ื”ื ื•ืขืจ ืฉื›ืชื‘ ื›ืžื• ืœื“ื•ื’ืžื "ืžื™ืฉื”ื• ืœืจื•ืฅ ืื™ืชื•" ืื• "ืžื•ืžื™ืง" ื•ื—ืœืงื ืžืžืฉ ืœื. ื”ืกืคืจ ื”ื–ื” ื”ื™ื” ื‘ืกื“ืจ…

ืงืจื ืขื•ื“ ยป
ืœืจื’ืœ-ืขื‘ื•ืจ-ืžืงื•ื-ืื—ืจ

ืœืจื’ืœ ืขื‘ื•ืจ ืžืงื•ื ืื—ืจ/ ืื•ืจื™ืŸ ืžื•ืจื™ืก

ืžืื•ื“ ื”ืกืชืงืจื ืชื™ ืžื”ืคืจืง ื”ืจืืฉื•ืŸ ืฉืœ ื”ืกืคืจ, ื—ืฉื‘ืชื™ ืื•ืœื™ ื”ื™ื ื™ืฆื™ืจื” ืืจืก ืคื•ืื˜ื™ืช. ืื‘ืœ, ืื ื™ ืœื ื—ื•ืฉื‘ืช ืฉื”ื‘ื ืชื™ ืขื“ ื”ืกื•ืฃ ืืช ื”ืกืคืจ ืฉื›ืชื‘ ืื•ืจื™ืŸ ืžื•ืจื™ืก ื•ื—ื•ืกืจ ื”ื‘ื ื” ื’ื•ืจืจ ื—ื•ืกืจ ื”ื ืื”…

ืงืจื ืขื•ื“ ยป
ืกืคืง ืกื‘ื™ืจ

ืกืคืง ืกื‘ื™ืจ/ ื•ื•ื™ื˜ื ื™ ื’โ€™ื™

ื”ื ืื” ืฆืจื•ืคื”. ืœื–'ืื ืจ ื”ื–ื” ื”ืกืคืจ ืคืฉื•ื˜ ืžืฆื•ื™ื™ืŸ, ื”ืžืฉืขืฉืข ื•ืžืฆื—ื™ืง ืขื ืžื™ื“ื” ืจืื•ื™ื” ืฉืœ ืจื•ืžื ื˜ื™ืงื” ื•ืกืงืก. ื”ืขืœื™ืœื”, ืื ื“ืจื• ืขื•ืจืš ื“ื™ืŸ ืžื‘ืจื™ืง ืฉืžืชื™ื™ื—ืก ืœื ืฉื™ื …

ืงืจื ืขื•ื“ ยป

๐Ÿคž ืงื‘ืœื• ืžื™ื™ืœ ืžืจื•ื›ื– ืื—ืช ืœืฉื‘ื•ืข!

ืื ื—ื ื• ืœื ืฉื•ืœื—ื™ื ืกืคืื! ืœืžื™ื“ืข ื ื•ืกืฃ ื ื™ืชืŸ ืœืงืจื•ื ืืช ืžื“ื™ื ื™ื•ืช ื”ืคืจื˜ื™ื•ืช ืฉืœื ื•.

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