๐ŸŒŸ 2025 โ€” ืกืคืจื™ื ืฉืคืชื—ื• ืื•ืคืง ื—ื“ืฉ

ื”ืฉื ื” ื”ืชื—ื™ืœื” ื‘ืœื™ ื™ื•ืชืจ ืžื“ื™ ื”ื‘ื˜ื—ื•ืช. ืื‘ืœ ืื™ื›ืฉื”ื•, ืžื‘ื™ืŸ ื›ืœ ื”ื“ืคื™ื, ื ื•ืœื“ื• ืกืคืจื™ื ืฉื ื’ืขื•, ื–ื™ื–ืขื•, ื”ืคืชื™ืขื•. ื›ืืŸ ื ืืกืคื• ื”ืจื’ืขื™ื ืฉืงืจืื• ืœื™ ืœืขืฆื•ืจ. ืœื—ืฉื•ื‘. ืœื›ืชื•ื‘ ืื—ืจืช.

๐ŸŒŸ ื”ื›ื•ื›ื‘ื™ื ืฉืœื™ ืœืฉื ื” ื”ื–ื•

4 ืกืคืจื™ื ืฉื™ืžืฉื™ื›ื• ืœื ืฆื ืฅ ื‘ืืคืœื”, ื’ื ืื—ืจื™ ืฉื”ืฉื ื” ืชื›ื‘ื”.

ืจื™ืฆืช ืืžื•ืง ืขื˜ื™ืคืช ื”ืกืคืจ ืจื™ืฆืช ืืžื•ืง ืžืืช ืฉื˜ืคืŸ ืฆื•ื•ื™ื’ - ืกื™ืคื•ืจ ืงืฆืจ ื•ื ื•ืงื‘ ืขืœ ืชืฉื•ืงื” ื‘ืœืชื™ ื ืฉืœื˜ืช ืฉืžื›ืœื” ืืช ื›ืœ ืžื” ืฉื ืฉืืจ ืžื”ื”ื™ื’ื™ื•ืŸ โ€“ ืขื“ ื”ืงืฆื”...

ืจื™ืฆืช ืืžื•ืง/ ืฉื˜ืคืŸ ืฆื•ื•ื™ื’

ืกื™ืคื•ืจ ืงืฆืจ ื•ื ื•ืงื‘ ืขืœ ืชืฉื•ืงื” ื‘ืœืชื™ ื ืฉืœื˜ืช ืฉืžื›ืœื” ืืช ื›ืœ ืžื” ืฉื ืฉืืจ ืžื”ื”ื™ื’ื™ื•ืŸ โ€“ ืขื“ ื”ืงืฆื”โ€ฆ..

ืงืจื ืขื•ื“ ยป
ื”ืฉืขื•ืช ื”ืืคืœื•ืช

ื”ืฉืขื•ืช ื”ืืคืœื•ืช/ ืžื™ื™ืงืœ ืงื•ื ืœื™

ื‘ืœืฉื™ืช ืœื ืฉื’ืจืชื™ืช, ืžืชื— ืืžื™ืชื™, ื•ืจืงืข ื—ื‘ืจืชื™ ื˜ืขื•ืŸ.
ื”ืฉืขื•ืช ื”ืืคืœื•ืช ืฉืœ ืžื™ื™ืงืœ ืงื•ื ืœื™ ื”ื•ื ื‘ื“ื™ื•ืง ืžืกื•ื’ ื”ืกืคืจื™ื ืฉืžื–ื›ื™ืจื™ื ืœื™ ืœืžื” ืื ื™ ืื•ื”ื‘ืช ืœืงืจื•ืโ€ฆ

ืงืจื ืขื•ื“ ยป
ืžื™ ืฉืกื•ื›ืชื• ื ื•ืคืœืช

ืžื™ ืฉืกื•ื›ืชื• ื ื•ืคืœืช/ ืฆื‘ื™ ื‘ืŸ ืžืื™ืจ

ื”ืกืคืจ ื”ืจืืฉื•ืŸ ืœืฉื ืช 2025, ื”ื•ื ืกืคืจ ื‘ื™ื›ื•ืจื™ื ื™ืคื™ืคื” ื•ืจื’ื™ืฉ ืฉื”ืงืจื™ืื” ื‘ื• ืžืกืคืงืช ืจื’ืขื™ื ืคื™ื•ื˜ื™ื™ื ืœืฆื“ ืจื’ืขื™ื ืื ื•ืฉื™ื™ื. ื–ื”ื• ืกื™ืคื•ืจ ืžืกืข ื’ืื•ืœื” ืฉืœ ื ืคืฉ ืžื™ื•ืกืจืช ื•ื›ื•ืื‘ืช. ื‘ื“ื•ืžื” ืœืกืคืจื” ืฉืœ ืจื‘ืงื” ืจื•ื–ื ืจโ€ฆ.

ืงืจื ืขื•ื“ ยป
The Late Show

The Late Show/ Michael Connelly

The Late Show ืžืืช ืžื™ื™ืงืœ ืงื•ื ืœื™, ื”ื•ื ืžื•ืชื—ืŸ ืžืฉื˜ืจืชื™ ืื™ื ื˜ืœื™ื’ื ื˜ื™ ื•ืžืจืชืง, ืฉืžืฆื™ื’ ืืช ื”ื‘ืœืฉื™ืช ืจื ื” ื‘ืœืจื“, ื“ืžื•ืช ืจืืฉื™ืช ื ืฉื™ืช ื•ืžื•ืจื›ื‘ืช. ื‘ืœืจื“ ื”ื™ื ื“ืžื•ืช ืฉืœ ื–ืื‘ื” ื‘ื•ื“ื“ื” ื‘ืชื•ืš ืžืขืจื›ืช ืžืฉื˜ืจืชื™ืช, ืฉื‘ืžื”ื•ืชื” ื’ื‘ืจื™ืช ื•ืฉื•ื‘ื ื™ืกื˜ื™ืชโ€ฆ

ืงืจื ืขื•ื“ ยป

๐Ÿ“Œ ืฉืืจ ื”ืคื•ืกื˜ื™ื

The Mystery of Mrs ืขื˜ื™ืคืช ื”ืกืคืจ The Mystery of Mrs. Christie ืžืืช Marie Benedict โ€“ ื›ืฉื”ืกื•ืคืจืช ื”ื’ื“ื•ืœื” ื ืขืœืžืช โ€“ ืžืชื—ื™ืœ ื”ืกื™ืคื•ืจ ืฉื”ื™ื ืืฃ ืคืขื ืœื ื”ืขื–ื” ืœื›ืชื•ื‘ ื‘ืงื•ืœ.....

The Mystery of Mrs. Christie/ Marie Benedict

ื›ืฉื”ืกื•ืคืจืช ื”ื’ื“ื•ืœื” ื ืขืœืžืช โ€“ ืžืชื—ื™ืœ ื”ืกื™ืคื•ืจ ืฉื”ื™ื ืืฃ ืคืขื ืœื ื”ืขื–ื” ืœื›ืชื•ื‘ ื‘ืงื•ืœ โ€ฆ

ืงืจื ืขื•ื“ ยป
ืกื•ื“ื• ืฉืœ ื”ืฆื•ืจืฃ ืขื˜ื™ืคืช ื”ืกืคืจ ืกื•ื“ื• ืฉืœ ื”ืฆื•ืจืฃ ืžืืช ืืœื™ื” ื‘ืจืกืœื• โ€“ ื”ื•ื ืฉื‘ ืœืขื™ื™ืจื”, ืœื–ื™ื›ืจื•ื ื•ืช, ื•ืœืื™ืฉื” ืื—ืช ืžื”ืขื‘ืจ. ืื‘ืœ ื”ื–ื™ื›ืจื•ืŸ ืœื ืชืžื™ื“ ืฉื•ืžืจ ืืžื•ื ื™ื. ืกืงื™ืจื” ืขืœ ืกื•ื“ื• ืฉืœ ื”ืฆื•ืจืฃ ....

ืกื•ื“ื• ืฉืœ ื”ืฆื•ืจืฃ/ ืืœื™ื” ื‘ืจืกืœื•

ื”ื•ื ืฉื‘ ืœืขื™ื™ืจื”, ืœื–ื™ื›ืจื•ื ื•ืช, ื•ืœืื™ืฉื” ืื—ืช ืžื”ืขื‘ืจ. ืื‘ืœ ื”ื–ื™ื›ืจื•ืŸ ืœื ืชืžื™ื“ ืฉื•ืžืจ ืืžื•ื ื™ืโ€ฆ

ืงืจื ืขื•ื“ ยป
Frankie ืขื˜ื™ืคืช ื”ืกืคืจ Frankie ืžืืช Graham Norton โ€“ ืื™ืš ืื™ืฉื” ืื—ืช ืฉืงื˜ื” ืžืฆืœื™ื—ื” ืœื”ืื™ืจ ื—ื™ื™ื ืฉืœืžื™ื....

Frankie/ Graham Norton

ื›ื›ื” ื–ื” ืžืชื—ื™ืœ: ืžื˜ืคืœ ืฆืขื™ืจ, ืื™ืฉื” ืžื‘ื•ื’ืจืช, ื•ื–ื™ื›ืจื•ืŸ ืฉืœื ืžืคืกื™ืง ืœื‘ืขื•ืจ. ืคืจืื ืงื™, ืขื•ื“ ืกื™ืคื•ืจ ืžืกื—ืจืจ ืžืืช ื’ืจื”ื ื ื•ืจื˜ื•ืŸ โ€ฆ

ืงืจื ืขื•ื“ ยป
ืžืฉืืœื” ืื—ืช ื™ืžื™ื ื” ืขื˜ื™ืคืช ื”ืกืคืจ ืžืฉืืœื” ืื—ืช ื™ืžื™ื ื” ืžืืช ืืฉื›ื•ืœ ื ื‘ื• โ€“ ืกืคืจ ืขืœ ื—ื‘ืจื•ืช ื‘ื™ืŸ ื’ื‘ืจื™ื, ื—ืœื•ืžื•ืช ืขืœ ื”ืขืชื™ื“ ื•ืขืœ ...

ืžืฉืืœื” ืื—ืช ื™ืžื™ื ื”/ ืืฉื›ื•ืœ ื ื‘ื•

ืกืคืจ ืขืœ ื—ื‘ืจื•ืช ื‘ื™ืŸ ื’ื‘ืจื™ื, ื—ืœื•ืžื•ืช ืขืœ ื”ืขืชื™ื“ ื•ืขืœ ื”ื—ื™ื™ื ื•ื’ื‘ืจ ืื—ื“ ืฉืœื ื”ืฆืœื™ื— ืœืฉื—ืจืจ ืื”ื‘ื” ื™ืฉื ื”. ืื™ืš ื ืจืื™ื ื—ื™ื™ื ืฉืชืงื•ืขื™ื ื‘ื”ื™ืœื•ืš ืกืจืง. โ€ฆ

ืงืจื ืขื•ื“ ยป
The Wedding People ืขื˜ื™ืคืช ื”ืกืคืจ The Wedding People ืžืืช Alison Espach โ€“ ืกืคืจ ืงื˜ืŸ ืขื ืœื‘ ื’ื“ื•ืœ: ืžื” ืงื•ืจื” ื›ืฉืื™ืฉื” ืฉืžื’ื™ืขื” ...

The Wedding People/ Alison Espach

ืกืคืจ ืงื˜ืŸ ืขื ืœื‘ ื’ื“ื•ืœ: ืžื” ืงื•ืจื” ื›ืฉืื™ืฉื” ืฉืžื’ื™ืขื” ืœื”ื™ืคืจื“ ืžื”ืขื•ืœื ืคื•ื’ืฉืช ื›ืœื” ืฉืœื ืžื•ื›ื ื” ืœื•ื•ืชืจ ืขืœ ื”ืื•ืจ ืฉืœื”?โ€ฆ

ืงืจื ืขื•ื“ ยป
ืฉืœื•ืžืฆื™ื•ืŸ ืขื˜ื™ืคืช ื”ืกืคืจ ืฉืœื•ืžืฆื™ื•ืŸ ืžืืช ืืจื™ื” ืืœื“ื“ โ€“ ื•ืžื” ืื ื”ืžืœื›ื” ื”ื™ื—ื™ื“ื” ืฉืฉืœื˜ื” ื‘ื™ื”ื•ื“ื” ื ืžื—ืงื” ...

ืฉืœื•ืžืฆื™ื•ืŸ/ ืืจื™ื” ืืœื“ื“

ื•ืžื” ืื ื”ืžืœื›ื” ื”ื™ื—ื™ื“ื” ืฉืฉืœื˜ื” ื‘ื™ื”ื•ื“ื” ื ืžื—ืงื” ืžื”ื”ื™ืกื˜ื•ืจื™ื”? ืกืงื™ืจื” ืขืœ "ืฉืœื•ืžืฆื™ื•ืŸ" โ€“ ืกืคืจ ืขื ืคื•ื˜ื ืฆื™ืืœ ืžืกืขื™ืจโ€ฆ ืฉืœื ื”ื•ืœืš ืขื“ ื”ืกื•ืฃโ€ฆ

ืงืจื ืขื•ื“ ยป
The Black Death ืขื˜ื™ืคืช ื”ืกืคืจ The Black Death: New Lessons from Recent Research ืžืืช Dorsey Armstrong โ€“ The Black Death ืžืืช ื“ื•ืจืกื™ ืืจืžืกื˜ืจื•ื ื’ ื”ื•ื ื”ืจื‘ื” ...

The Black Death: New Lessons from Recent Research/ Dorsey Armstrong

The Black Death ืžืืช ื“ื•ืจืกื™ ืืจืžืกื˜ืจื•ื ื’ ื”ื•ื ื”ืจื‘ื” ื™ื•ืชืจ ืžืกืคืจ ื”ื™ืกื˜ื•ืจื™ื”. ื–ื”ื• ื ื™ืชื•ื— ื ื’ื™ืฉ, ื—ื“ ื•ืžืœื ืชื•ื‘ื ื•ืช ืขืœ ื”ื“ืจืš ื‘ื” ืžื’ืคื•ืช ืœื ืจืง ื”ื•ืจื’ื•ืช โ€“ ืืœื ืžืฉื ื•ืช ืืช ืคื ื™ ื”ื—ื‘ืจื”. ื‘ื“ื•ืžื” ืœืงื•ืจื•ื ื”, ื’ื ื”ืžื’ืคื” ื”ืฉื—ื•ืจื” ื—ืฉืคื” ืขื•ื ื™, ื—ื•ืกืจ ืฉื•ื•ื™ื•ืŸ ื•ืคืขืจื™ื ืžืขืจื›ืชื™ื™ื โ€“ ืื‘ืœ ื’ื ื™ืฆืจื” ื”ื–ื“ืžื ื•ื™ื•ืช, ืฉื•ืง ืขื‘ื•ื“ื” ื—ื“ืฉ ื•ืขืœื™ื™ืช ืžืขืžื“ ื”ื‘ื™ื ื™ื™ืโ€ฆ.

ืงืจื ืขื•ื“ ยป
ืกื™ื™ืจืช ืžื˜ื›ืœ ื”ืžื‘ืฆืขื™ื ื”ื’ื“ื•ืœื™ื ืฉืœ ื”ื™ื—ื™ื“ื”

ืกื™ื™ืจืช ืžื˜ื›"ืœ: ื”ืžื‘ืฆืขื™ื ื”ื’ื“ื•ืœื™ื ืฉืœ ื”ื™ื—ื™ื“ื”/ ืื‘ื ืจ ืฉื•ืจ, ืื‘ื™ืจื ื”ืœื•ื™

ืœื ืขื•ื“ ืกืคืจ ืชื”ื™ืœื” โ€” ืืœื ืžื‘ื˜ ืืžื™ืชื™ ืขืœ ืžื” ืงื•ืจื” ื›ืฉืžื™ืชื•ืก ืคื•ื’ืฉ ืืช ื”ืงืจืงืขโ€ฆ

ืงืจื ืขื•ื“ ยป
The Second Sleep

The Second Sleep/ Robert Harris

ืกืคืจ ืžืชื— ืฉืžืชื—ื™ืœ ื›ืžื• ื“ืจืžื” ื™ืžื™ึพื‘ื™ื ื™ื™ืžื™ืช โ€” ื•ืื– ืœื•ืงื— ืคื ื™ื™ื” ืฉืœื ืจืื™ืชื ืื•ืชื” ืžื’ื™ืขื”. ื”ืืจื™ืก ืžืคืชื™ืข ืขื ืžืกืชื•ืจื™ืŸ ื”ื™ืกื˜ื•ืจื™โ€ฆ

ืงืจื ืขื•ื“ ยป
ืœื‘ ื™ืงืจ ื“ืคืงืช ืื•ืชื™

ืœื‘ ื™ืงืจ, ื“ืคืงืช ืื•ืชื™/ ืืฉืœื™ ืจื•ื–

ืœื‘ ื™ืงืจ, ื“ืคืงืช ืื•ืชื™ โ€“ ื•ื”ื•ื ื‘ืืžืช ื“ืคืง.
ืœื ืืช ื”ืœื‘, ืืช ื”ืกื‘ืœื ื•ืช. ืกืงื™ืจื” ืžืœืื” ืœืžื™ื˜ื™ื‘ื•ืช ืœื›ืช ื‘ืœื‘ื“ ๐Ÿ˜…๐Ÿ’”โ€ฆ.

ืงืจื ืขื•ื“ ยป
Of Murders and Mages

Of Murders and Mages/ Nikki Haverstock

ืงืกืžื™ื, ืจืฆื™ื—ื•ืช, ื•ื—ืชื•ืœื” ืขืงืฉื ื™ืช ื‘ืžื™ื•ื—ื“ โ€” Of Murders and Mages ื”ื•ื ืกืคืจ ืคืชื™ื—ื” ืงืœื™ืœ ื•ืžืฉืขืฉืข, ืฉืžืฆืœื™ื— ืœืฉืขืฉืข ื•ืœื”ืฉืื™ืจ ื˜ืขื ืœืขื•ื“โ€ฆ.

ืงืจื ืขื•ื“ ยป

๐Ÿคž ืงื‘ืœื• ืžื™ื™ืœ ืžืจื•ื›ื– ืื—ืช ืœืฉื‘ื•ืข!

ืื ื—ื ื• ืœื ืฉื•ืœื—ื™ื ืกืคืื! ืœืžื™ื“ืข ื ื•ืกืฃ ื ื™ืชืŸ ืœืงืจื•ื ืืช ืžื“ื™ื ื™ื•ืช ื”ืคืจื˜ื™ื•ืช ืฉืœื ื•.

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