๐ŸŒ… 2019 โ€” ื‘ื™ืŸ ื”ื“ืžื™ื•ืŸ ืœืžืฆื™ืื•ืช ๐ŸŒ…

ืœืคื ื™ ืฉื”ืขืฉื•ืจ ื ื—ืชื ื•ื”ืขื•ืœื ืขืฆืจ ืืช ื ืฉื™ืžืชื•, 2019 ื”ื™ื™ืชื” ืฉื ื” ืฉืœ ืชืงื•ื•ืช ืชืœื•ื™ื•ืช, ืฆืขื“ื™ื ืจืืฉื•ื ื™ื, ื•ื—ืœื•ืžื•ืช ืฉื ืจืื• ื‘ื”ื™ืฉื’ ื™ื“.
ื›ืืŸ ื ืืกืคื• ื”ืกืคืจื™ื ืฉื”ื“ืœื™ืงื• ืืช ื”ื“ืžื™ื•ืŸ, ื’ื™ืฉืจื• ืขืœ ืคืขืจื™ื ืฉื‘ื™ืŸ ืœื‘ ืœืœื‘, ื•ืœื™ื•ื• ืืช ื”ืงืจื™ืื” ื‘ืขื•ื ื’ ื•ื‘ืจืฆื•ืŸ ืœืขื•ื“.

๐ŸŒธ ื”ืœื‘ ืฉืœื™ ืœืฉื ื” ื”ื–ื•

ืœืื• ื“ื•ื•ืงื ื”ืกืคืจื™ื ื”ื›ื™ ื˜ื•ื‘ื™ื, ืื‘ืœ ืืœื” ืฉืื™ ืืคืฉืจ ื”ื™ื” ืœื”ื•ืฆื™ื ืœื™ ืžื”ืจืืฉ โ€“ ืื• ืžื”ืฉื™ื—ื”.

Forever, Interrupted

Forever, Interrupted/ Taylor Jenkins Reid

ืืœื–ื™ ืœื ืฉื™ืขืจื” ื‘ื ืคืฉื” ืฉืชืคื’ื•ืฉ ืืช ื’ื‘ืจ ื—ื™ื™ื” ื‘ืคื™ืฆื” ื•ื‘ืคืจืง ื–ืžืŸ ืฉืœ ื—ืฆื™ ืฉื ื” ืชืชืื”ื‘ ื‘ื• ืขื“ ื›ืœื•ืช ื•ืชื™ื ืฉื ืœื•. ืื‘ืœ ื”ื—ื™ื™ื ืžืคืชื™ืขื™ื ื•ื”ื™ื ืคื•ื’ืฉืช ืืช ื‘ืŸ ืจื•ืก…

ืงืจื ืขื•ื“ ยป
ื“ื™ื™ื–ื™ ื’'ื•ื ืก ื•ื”ืกื™ืงืก

Daisy Jones & The Six / Taylor Jenkins Reid

ื˜ื™ื™ืœื•ืจ ื’'ื ืงื™ื ืก ืจื™ื“ ื”ื™ื by far ื”ืกื•ืคืจืช ื”ืื”ื•ื‘ื” ืขืœื™ ื‘ื™ื•ืชืจ. ืื ื™ ืจืฆื” ืœืงื ื•ืช ื•ืœืงืจื•ื ื›ืœ ื›ืกืคืจ ืฉื”ื™ื ืžืคืจืกืžืช ื•ื”ื™ื ื’ื•ืจืžืช ืœื™ ืœื‘ื•ืžื™ื ื‘ืœื‘ ื•ืœืขื•ื ื’ ื‘ื ืคืฉ. ืกื™ื™ืžืชื™ ย ….

ืงืจื ืขื•ื“ ยป
Killers of the Flower Moon ืขื˜ื™ืคืช ื”ืกืคืจ Killers of the Flower Moon: The Osage Murders and the Birth of the FBI ืžืืช David Grann โ€“ ืกืคืจ ืžืขื ื™ื™ืŸ ื‘ื—ืœืงื• ื”ื™ืกื˜ื•ืจื™ ื•ื‘ื—ืœืงื• ื ื™ืกื™ื•ืŸ ืœืคืชืจื•ืŸ...

Killers of the Flower Moon: The Osage Murders and the Birth of the FBI/ David Grann

ืกืคืจ ืžืขื ื™ื™ืŸ ื‘ื—ืœืงื• ื”ื™ืกื˜ื•ืจื™ ื•ื‘ื—ืœืงื• ื ื™ืกื™ื•ืŸ ืœืคืชืจื•ืŸ ืชืขืœื•ืžืช ืจืฆื™ื—ื•ืช ืฉืื™ืจืขื” ื‘ืฉื ื•ืช ื”- 20 ืฉืœ ื”ืžืื” ื”- 20 ื‘ืงืจื‘ ื‘ื ื™ ืฉื‘ื˜ ื”ืื•ืกื™ื™ื’', ืฉื‘ื˜ ืื™ื ื“ื™ืื ื™ ืฉื”ืชืขืฉืจ ื›ืชื•ืฆืื” ื”ืžืžื›ื™ืจืช ื–ื™ื›ื™ื•ื ื•ืช ืœืงื™ื“ื•ื—ื™ ื ืคื˜ ื‘ืื“ืžืชื…

ืงืจื ืขื•ื“ ยป
ืขื–ืื–ืœ

ืขื–ืื–ืœ/ ื‘ื•ืจื™ืก ืืงื•ื ื™ืŸ

ืืจืืกื˜ ืคื ื“ื•ืจื™ืŸ ืžืฉืžืฉ ื›ืคืงื™ื“ ื–ื•ื˜ืจ ื‘ื›ื— ื”ืžืฉื˜ืจืชื™ ืฉื‘ืจื•ืกื™ื”. ื”ืฉื ื™ื ื”ืŸ ืกื•ืฃ ื”ืžืื” ื” 19 ื•ืืจืืกื˜ ืฉืื‘ื™ื• ื ืคื˜ืจ ื•ื”ื•ืชื™ืจ ืืช ื‘ื ื• ืœืœื ืืžืฆืขื™ ืžื—ื™ื™ื”, ื ืงืœืข ื‘ื˜ืขื•ืช ืœืคืจืฉื™ื™ื”, ืงื ื•ื ื™ื” ืฉืžื•ื‘ื™ืœื”….

ืงืจื ืขื•ื“ ยป

โœ๏ธ ื›ืœ ืฉืืจ ื”ืกืคืจื™ื ืฉืงืจืื• ืœื™ ื‘ื“ืจืš

ืœื˜ืจื•ืŸ/ ืจื ืื•ืจืŸ

ืกืคืจ ืคืฉื•ื˜ ืžืฆื•ื™ื™ืŸ, ืื™ื›ื•ืชื™, ืงื•ืœื— ื•ืžืจืชืง. ื”ืกืคืจ ืžืชืืจ ืืช ื”ืงืจื‘ื•ืช ืขืœ ื›ื™ื‘ื•ืฉ ืœื˜ืจื•ืŸ ื‘ืฉื ืช 1948, ื‘ื ื™ืกื™ื•ืŸ ืœืคืจื•ืฅ ื“ืจืš ืœื™ืจื•ืฉืœื™ื ื”ื ืฆื•ืจื”.

ืงืจื ืขื•ื“ ยป
Gone With the Wind

Gone With the Wind/ Margaret Mitchell

ื’ื ื”ื™ื•ื, ื›- 80 ืฉื ื™ื ืœืื—ืจ ืฉื™ืฆื ืœืื•ืจ, "ื—ืœืฃ ืขื ื”ืจื•ื—" ืžืขื•ืจืจ ืขื™ื ื™ื™ืŸ ื•ืกื•ื—ืฃ ืื—ืจื™ื• ืงื•ืจืื™ื ืจื‘ื™ื. ื”ืกืคืจ ืฉื™ืฆื ื‘ื™ื•ื ื™ 1936 ื–ื™ื›ื” ืืช ื”ืกื•ืคืจืช ื‘ืคืจืก ืคื•ืœื™ืฆืจ. ืขืœื™ืœืชื• ืžืชืžืงื“ืช ื‘ืชืงื•ืคืช …

ืงืจื ืขื•ื“ ยป

ืžื•ืช ื”ื ื–ื™ืจ/ ืืœื•ืŸ ื—ื™ืœื•

ืกื™ืคื•ืจ ื”ืžื‘ื•ืกืก ืขืœ ืื™ืจื•ืขื™ื ื”ื™ืกื˜ื•ืจื™ื™ื ืืžื™ืชื™ื™ื ืฉืื™ืจืขื• ื‘ืฉื ืช 1840. ื‘ืฉื ื” ื–ื•, ื‘ืขืงื‘ื•ืช ื”ื™ืขืœืžื•ืช ื ื–ื™ืจ ื ื•ืฆืจื™ ื•ืžืฉืจืชื• ื”ืžื•ืกืœืžื™ ื”ื•ืืฉืžื• ืžื ื”ื™ื’ื™ ื”ืงื”ื™ืœื”

ืงืจื ืขื•ื“ ยป

ื”ื‘ื•ืก ื”ืžืคืชื” (The Tenacious Tycoons #1)/ ื’'ื ื™ืคืจ ื”ื™ื™ื•ื•ืจื“

ื—ื‘ื™ื‘ ื•ื‘ืขื™ืงืจ ืžื–ื›ื™ืจ ืœื™ ืืช ื’ื™ืœ 15 ื›ืฉื‘ื–ืžื ื™ ื”ื”ื•ืฆืื” ื”ื™ื—ื™ื“ื” ืฉืคื™ืจืกืžื” ืกืคืจื™ ืจื•ืžื ื˜ื™ืงื” ื”ื™ืชื” ื”ื•ืฆืืช ืฉืœื’ื™, ืฉืื ื™ ื–ื•ื›ืจืช ืœื” ื—ืกื“

ืงืจื ืขื•ื“ ยป

ื”ืคืฉื™ื–ื ื”ื ืฆื—ื™/ ืื•ืžื‘ืจื˜ื• ืืงื•

ืœื ืขืคืชื™ ื•ืœื ื”ืชืคืขืžืชื™ ื•ืื ื™ ื’ื ืœื ื—ื•ืฉื‘ืช ืฉื–ื” ืกืคืจ ื—ื•ื‘ื”. ืœืฆืขืจื™ ืฉื•ื‘ ื”ืชืฉื‘ื—ื•ืช ืœื ืคืจื•ืคื•ืจืฆื™ื•ื ืœื™ื•ืช ืœืชื•ื›ืŸ. ืื•ืžื‘ืจื˜ื• ืืงื• ื‘ืžืืžืจื•

ืงืจื ืขื•ื“ ยป
ืœื”ืชืจืื•ืช ืขื›ื•

ืœื”ืชืจืื•ืช ืขื›ื•/ ืขืœื ื—ืœื™ื—ืœ

ื‘ืฉื ืช 1799, ื‘ืžื”ืœืš ื›ื™ื‘ื•ืฉื™ื• ื‘ืžื–ืจื— ื”ืชื™ื›ื•ืŸ, ื ื™ืกื” ื ืคื•ืœื™ืื•ืŸ ื‘ื•ื ืคืจื˜ื”, ืœื›ื‘ื•ืฉ ื’ื ืืช ื”ืขื™ืจ ืขื›ื•. ื”ืจืฆื•ืŸ ืœื›ื‘ื•ืฉ ืืช ื”ืขื™ืจ ืœื ื”ื™ื” ืžืฉื•ืœืœ ื›ืœ ื”ื’ื™ื•ืŸ, ืื‘ืœ ืœืžืฆื•ืจ ืฉื”ื˜ื™ืœ ื•ืœื ืกื™ื•ื ื•ืชื™ื• ื”ื—ื•ื–ืจื™ื ื•ื”ื ืฉื ื™ื…

ืงืจื ืขื•ื“ ยป

ืืœ ืชืขื–ื•ื‘/ ื”ืจืœืŸ ืงื•ื‘ืŸ

ื™ื•ื ืฉื™ืฉื™ ืื—ื“ ืœืคื ื™ 15 ืฉื ื™ื ื—ื™ื™ื• ืฉืœ ื ืืค ื“ื™ื•ืžื ืžื”ืชืคื›ื™ื ืขืœื™ื•. ื—ื‘ืจืชื•, ืžื•ืจื” ื ืขืœืžืช ื•ื’ื•ืคื•ืช ืื—ื™ื• ืœื™ืื• ื•ื—ื‘ืจืชื• ื“ื™ืื ื”

ืงืจื ืขื•ื“ ยป
A royal pain

A Royal Pain/ Rhys Bowen

ื”ืžืฉืš ืงื•ืจื•ืชื™ื” ืฉืœ ื’'ื•ืจื’'ื™ืื ื”, ื”ืžืžื•ืงืžืช ื‘ืžืงื•ื 34 ืœื›ืก ื”ืžืœื•ื›ื”. ื’'ื•ืจื’'ื™ืื ื” ื—ืกืจืช ื”ื›ืœ, ื ืงืจืืช ืฉื•ื‘ ื•ืฉื•ื‘ ืœืžืœื›ื” ืžืจื™, ื‘ื›ื“ื™ ืœืกื™ื™ืข ื‘ืžืฉื™ืžื•ืช ืงื˜ื ื•ืช ืฉืจืง ื”ื™ื ื™ื›ื•ืœื” ืœื‘ืฆืข…

ืงืจื ืขื•ื“ ยป

Beck (Corps Security, #3)/ Harper Sloan

ืžื”ืกืคืจ ื”ืฉืœื™ืฉื™ ื‘ืกื™ื“ืจื” ืœื ื ื”ื ืชื™ ื›ืžื• ื‘ืฉื ื™ ื”ืกืคืจื™ื ื”ืงื•ื“ืžื™ื. ืกืคืจ ื”ื•ื ืขืœ ืžืขืจื›ืช ื”ื™ื—ืกื™ื ื‘ื™ืŸ ื“ื™ ืœื‘ืืง. ื”ืฉืœื™ืฉ ื”ืจืืฉื•ืŸ ืฉืœื•

ืงืจื ืขื•ื“ ยป

ืžืกืข ื‘ืื‘/ ืื”ืจืŸ ืžื’ื“

ืกื™ืคื•ืจื• ืฉืœ ืื‘ ื”ื™ื•ืฆื ื‘ืžืกืข ืื—ืจ ื‘ื ื• ื”ืฉื ื™ ื’ื™ื“ื™, ืฉื ืขืœื ืœืคื ื™ ื”ื’ื™ื•ืก. ื”ืื‘ ืžื“ืขืŸ ืฉื ืžืฆื ืขื ืื™ืฉืชื•, ืขื ืช, ื‘ืฉืœื™ื—ื•ืช ื‘ืืจื”"ื‘

ืงืจื ืขื•ื“ ยป

The Storyteller's Secret/ Sejal Badani

ืœืื—ืจ ื”ืคืœื•ืช ื—ื•ื–ืจื•ืช ื•ื ืฉื ื•ืช, ื ื™ืฉื•ืื™ื” ืฉืœ ื’'ื™ื” ืžืชืคื•ืจืจื™ื. ื”ื™ื ื•ื‘ืขืœื” ืคื˜ืจื™ืง ืžืกืชื’ืจื™ื ื›ืœ ืื—ื“ ื‘ืฆืขืจื• ื•ืื™ื ื ืžืฆืœื™ื—ื™ื ืœื’ืฉืจ ืขืœ ื”ืคืขืจื™ื.

ืงืจื ืขื•ื“ ยป

ื“ื•ืงื˜ื•ืจ ืžืจื™ื’ื•ืœื“/ ืฆ'ืจืœืก ื“ื™ืงื ืก

"ื“ื•ืงื˜ื•ืจ ืžืจื™ื’ื•ืœื“" ื”ื™ื ืœื˜ืขืžื™ ื”ื™ืฆื™ืจื” ื”ื˜ื•ื‘ื” ื‘ื™ื•ืชืจ ื‘ืคืจื•ื™ื™ืงื˜ "ืžืคื” ืœืื•ื–ืŸ" ืฉืœ ื”ื•ืฆืืช ืชืฉืข ื ืฉืžื•ืช. ืกื™ืคื•ืจ ืžืจื—ื™ื‘ ืœื‘, ืขืœ ื ื•ื•ื“, ืกื•ื—ืจ

ืงืจื ืขื•ื“ ยป
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