๐ŸŒ… 2019 โ€” ื‘ื™ืŸ ื”ื“ืžื™ื•ืŸ ืœืžืฆื™ืื•ืช ๐ŸŒ…

ืœืคื ื™ ืฉื”ืขืฉื•ืจ ื ื—ืชื ื•ื”ืขื•ืœื ืขืฆืจ ืืช ื ืฉื™ืžืชื•, 2019 ื”ื™ื™ืชื” ืฉื ื” ืฉืœ ืชืงื•ื•ืช ืชืœื•ื™ื•ืช, ืฆืขื“ื™ื ืจืืฉื•ื ื™ื, ื•ื—ืœื•ืžื•ืช ืฉื ืจืื• ื‘ื”ื™ืฉื’ ื™ื“.
ื›ืืŸ ื ืืกืคื• ื”ืกืคืจื™ื ืฉื”ื“ืœื™ืงื• ืืช ื”ื“ืžื™ื•ืŸ, ื’ื™ืฉืจื• ืขืœ ืคืขืจื™ื ืฉื‘ื™ืŸ ืœื‘ ืœืœื‘, ื•ืœื™ื•ื• ืืช ื”ืงืจื™ืื” ื‘ืขื•ื ื’ ื•ื‘ืจืฆื•ืŸ ืœืขื•ื“.

๐ŸŒธ ื”ืœื‘ ืฉืœื™ ืœืฉื ื” ื”ื–ื•

ืœืื• ื“ื•ื•ืงื ื”ืกืคืจื™ื ื”ื›ื™ ื˜ื•ื‘ื™ื, ืื‘ืœ ืืœื” ืฉืื™ ืืคืฉืจ ื”ื™ื” ืœื”ื•ืฆื™ื ืœื™ ืžื”ืจืืฉ โ€“ ืื• ืžื”ืฉื™ื—ื”.

ืœื”ืชืจืื•ืช ืขื›ื•

ืœื”ืชืจืื•ืช ืขื›ื•/ ืขืœื ื—ืœื™ื—ืœ

ื‘ืฉื ืช 1799, ื‘ืžื”ืœืš ื›ื™ื‘ื•ืฉื™ื• ื‘ืžื–ืจื— ื”ืชื™ื›ื•ืŸ, ื ื™ืกื” ื ืคื•ืœื™ืื•ืŸ ื‘ื•ื ืคืจื˜ื”, ืœื›ื‘ื•ืฉ ื’ื ืืช ื”ืขื™ืจ ืขื›ื•. ื”ืจืฆื•ืŸ ืœื›ื‘ื•ืฉ ืืช ื”ืขื™ืจ ืœื ื”ื™ื” ืžืฉื•ืœืœ ื›ืœ ื”ื’ื™ื•ืŸ, ืื‘ืœ ืœืžืฆื•ืจ ืฉื”ื˜ื™ืœ ื•ืœื ืกื™ื•ื ื•ืชื™ื• ื”ื—ื•ื–ืจื™ื ื•ื”ื ืฉื ื™ื…

ืงืจื ืขื•ื“ ยป
Gone With the Wind

Gone With the Wind/ Margaret Mitchell

ื’ื ื”ื™ื•ื, ื›- 80 ืฉื ื™ื ืœืื—ืจ ืฉื™ืฆื ืœืื•ืจ, "ื—ืœืฃ ืขื ื”ืจื•ื—" ืžืขื•ืจืจ ืขื™ื ื™ื™ืŸ ื•ืกื•ื—ืฃ ืื—ืจื™ื• ืงื•ืจืื™ื ืจื‘ื™ื. ื”ืกืคืจ ืฉื™ืฆื ื‘ื™ื•ื ื™ 1936 ื–ื™ื›ื” ืืช ื”ืกื•ืคืจืช ื‘ืคืจืก ืคื•ืœื™ืฆืจ. ืขืœื™ืœืชื• ืžืชืžืงื“ืช ื‘ืชืงื•ืคืช …

ืงืจื ืขื•ื“ ยป
ืžืžืขืจื‘ ืœื™ืจื—

ืžืžืขืจื‘ ืœื™ืจื—/ ืžื™ื›ืœ ืฉืœื•

ืกืคืจ ืžืงืกื™ื ื‘ื‘ื™ืฆื•ืข ืžืขื•ืœื” ืฉืœ ืื•ืจื ื” ืคื™ื˜ื•ืกื™. ื”ืกืคืจ ื ืข ื‘ืฉื ื™ ืฆื™ืจื™ื ืฉืžืชืื—ื“ื™ื ืœืงืจืืช ืกื•ืฃ ื”ืกืคืจ. ื‘ืฆื™ืจ ื”ืจืืฉื•ืŸ, ืกื™ืคื•ืจ ื—ื™ื™ื• ืฉืœ ื™ื•ืื‘ ืกืขืจ, ื‘ืŸ ืงื™ื‘ื•ืฅ ืฉืื™ืžื• ื”ื ื•ืจื•ื•ื’ื™ืช ืขื–ื‘ื” ืืช …

ืงืจื ืขื•ื“ ยป
Forever, Interrupted

Forever, Interrupted/ Taylor Jenkins Reid

ืืœื–ื™ ืœื ืฉื™ืขืจื” ื‘ื ืคืฉื” ืฉืชืคื’ื•ืฉ ืืช ื’ื‘ืจ ื—ื™ื™ื” ื‘ืคื™ืฆื” ื•ื‘ืคืจืง ื–ืžืŸ ืฉืœ ื—ืฆื™ ืฉื ื” ืชืชืื”ื‘ ื‘ื• ืขื“ ื›ืœื•ืช ื•ืชื™ื ืฉื ืœื•. ืื‘ืœ ื”ื—ื™ื™ื ืžืคืชื™ืขื™ื ื•ื”ื™ื ืคื•ื’ืฉืช ืืช ื‘ืŸ ืจื•ืก…

ืงืจื ืขื•ื“ ยป

โœ๏ธ ื›ืœ ืฉืืจ ื”ืกืคืจื™ื ืฉืงืจืื• ืœื™ ื‘ื“ืจืš

ื‘ืจื™ืช ืขื•ืœื/ ื˜ื™ืืจื™ ื’'ื•ื ืก

ื‘ืžืงื•ืจ ื”ืกืคืจ ื ืงืจื "ื ืฉื•ืื™ื ืืžืจื™ืงืื™ื" ื•ื—ื‘ืœ ืฉื‘ื—ืจื• ืœืชืจื’ื ืืช ื”ืฉื ื”ืžืฉืžืขื•ืชื™ ื”ื–ื” ืœ"ื‘ืจื™ืช ืขื•ืœื".ื–ื”ื• ืกื™ืคื•ืจื• ืฉืœ ื”ื–ื•ื’ ื”ืืคืจื• ืืžืจื™ืงืื™, ืจื•ื™

ืงืจื ืขื•ื“ ยป
Forever, Interrupted

Forever, Interrupted/ Taylor Jenkins Reid

ืืœื–ื™ ืœื ืฉื™ืขืจื” ื‘ื ืคืฉื” ืฉืชืคื’ื•ืฉ ืืช ื’ื‘ืจ ื—ื™ื™ื” ื‘ืคื™ืฆื” ื•ื‘ืคืจืง ื–ืžืŸ ืฉืœ ื—ืฆื™ ืฉื ื” ืชืชืื”ื‘ ื‘ื• ืขื“ ื›ืœื•ืช ื•ืชื™ื ืฉื ืœื•. ืื‘ืœ ื”ื—ื™ื™ื ืžืคืชื™ืขื™ื ื•ื”ื™ื ืคื•ื’ืฉืช ืืช ื‘ืŸ ืจื•ืก…

ืงืจื ืขื•ื“ ยป

ืจื‘ื•ืช ื”ื“ืจื›ื™ื/ ืฉืจื•ืŸ ืฆื•ื”ืจ

ืกื™ืคื•ืจื ืฉืœ ืœื™ืจื– ืื‘ื ื™ ื•ื›ืจืžืœ ื“ื•ืจ ื”ื—ืœ ื›ืฉื”ื™ื• ื‘ื’ื™ืœ 15. ื”ื•ื ื‘ืŸ ืœืžืฉืคื—ื” ืขืฉื™ืจื”, ื”ื™ื ื‘ืช ืœืžืฉืคื—ื” ืฉืื™ืŸ ืขืœื™ื” ื‘ื—ืœืง

ืงืจื ืขื•ื“ ยป

ื—ืฉื‘ื•ื ื•ืช ืคืชื•ื—ื™ื/ ืžืจื˜ื™ืŸ ืงื•ื”ืŸ

ื—ื™ืžื ืก ื”ื•ื ืงืฉื™ืฉ ื‘ืŸ 80 ืฉื—ื™ ืžืงืฆื‘ืช ื–ื™ืงื ื” ืžื™ื ื™ืžืœื™ืช. ื”ื—ืœืง ื”ืจืืฉื•ืŸ ืฉืœ ื”ืกืคืจ ืžืชืืจ ืืช ืขืœื™ื‘ื•ืช ื—ื™ื™ื• ืฉืœ ื—ื™ืžื ืก. ืื™ืฉืชื•

ืงืจื ืขื•ื“ ยป

ืืœ ืžื•ืœ ื”ืœื™ืœื”/ ื“ืœืคื™ืŸ ื“ื” ื•ื™ื’ืืŸ

"ืื ื™ ื›ื•ืชื‘ืช ืขืœ ืœื•ืกื™ืœ ื‘ืขื™ื ื™ ื™ืœื“ื” ืฉื’ื“ืœื” ืžื”ืจ ืžื“ื™, ืื ื™ ื›ื•ืชื‘ืช ืขืœ ื”ื—ื™ื“ื” ืฉื”ื™ื ื”ื™ืชื” ื‘ืฉื‘ื™ืœื™ ืžืื– ื•ืžืชืžื™ื“, ื ื•ื›ื—ืช ื•ืจื—ื•ืงื”

ืงืจื ืขื•ื“ ยป
Ache for You

Ache for You/ J.T. Geissinger

ื”ืกืคืจ ื”ืฉืœื™ืฉื™ ื‘ืกื™ื“ืจื” ืฉืœ ืฉืœื•ืฉื” ืกืคืจื™ื ืฉืื™ืŸ ื‘ื™ื ื”ื ืฉื•ื ืงืฉืจ ื•ื ื™ืชืŸ ืœืงืจื•ื ืื•ืชื ื‘ืื•ืคืŸ ืขืฆืžืื™. ื‘ื–ืžืŸ ืฉืงืจืืชื™ ืืช ื”ืกื™ื“ืจื” ื”ืกืคืจ ื”ืฉืœื™ืฉื™ ื˜ืจื ืชื•ืจื’ื ืœืขื‘ืจื™ืช, ืœื›ืŸ ืงืจืืชื™ ืื•ืชื• ื‘ืื ื’ืœื™ืช. ืœืื—ืจ ืฉืชื•ืจื’ื ืงืจืืชื™ ื’ื ….

ืงืจื ืขื•ื“ ยป

Shame on Him (Fool Me Once, #3)/ Tara Sivec

ื”ื—ืœืง ื”ืฉืœื™ืฉื™ ื•ื”ืกื•ื’ืจ ืฉืœ ื”ื˜ืจื™ืœื•ื’ื™ื” ืคื—ื•ืช ืžื•ืฆืœื— ื‘ืขื™ื ื™ื™ ืžืฉื ื™ ื”ื—ืœืงื™ื ื”ืงื•ื“ืžื™ื. ื”ื•ื ืœื ืžืฉืขืฉืข ื›ืคื™ ืฉืฆื™ืคื™ืชื™ ืฉื™ื”ื™ื” ื•ื’ื ื”ืกื™ืคื•ืจ ืฉืœ

ืงืจื ืขื•ื“ ยป

The Man on the Mountaintop: An Audible Original Drama/ Susan Trott

ืกื•ื’ ืฉืœ ืกืคืจ ืขื–ืจื” ืขืฆืžื™ืช.ื’'ื• ื”ื•ื ื ื–ื™ืจ ืงื“ื•ืฉ ื”ื—ื™ ื‘ืคืกื’ืช ื”ืจ. ื”ื—ืœืง ื”ืจืืฉื•ืŸ ืฉืœ ื”ืกืคืจ ืขื•ืกืง ื‘ืžืกืข ืฉืœ ืื ืฉื™ื ื‘ืžืขืœื”

ืงืจื ืขื•ื“ ยป

Shame on Me (Fool Me Once, #2)/ Tara Sivec

ื”ืกืคืจ ื”ืฉื ื™ ืžืชื—ื™ืœ ื›ืžืขื˜ ื‘ื ืงื•ื“ื” ืฉื‘ื” ืžืกืชื™ื™ื ื”ืกืคืจ ื”ืจืืฉื•ืŸ ื‘ืกื™ื“ืจื”. ืื•ืœื™ ื˜ื™ืคื” ื™ืฉื ื” ื—ืคื™ืคื” ื‘ื–ืžื ื™ื, ืื‘ืœ ื”ื•ื ืœื ืžืื‘ื“ ืืช

ืงืจื ืขื•ื“ ยป

ื“ืจืš ื”ืžื’ื“ืœื•ืจ 16 (Cedar Cove, #1)/ ื“ื‘ื™ ืžืงื•ืžื‘ืจ

DNF 15%ืคืฉื•ื˜ ืื™ืŸ ืœื™ ื—ืฉืง ืœื”ืžืฉื™ืš ืœืงืจื•ื ื•ื’ื ืœื ืžืขื ื™ื™ืŸ ืœื™ ืœื”ืžืฉื™ืš ืœืงืจื•ื. sivi ืืžื ื‘ืžืฉืจื” ืžืœืื” ื•ืืฉืช ืงืจื™ื™ืจื”, ืชื•ืœืขืช

ืงืจื ืขื•ื“ ยป

ืชื•ืชื™ื/ ื™ื•ื–ืฃ ืจื•ืช

"ืชื•ืชื™ื" ื”ื•ื ืชื™ืื•ืจ ื—ื™ ื•ื‘ื•ืขื˜ ืฉืœ ื—ื™ื™ื ื‘ืขื™ื™ืจื” ืฉืจื•ื‘ื” ืชื•ืฉื‘ื™ื ืขื ื™ื™ื ื‘ืžื–ืจื— ืื™ืจื•ืคื” ืœืคื ื™ ืžืœื—ืžืช ื”ืขื•ืœื ื”ืฉื ื™ื”. ื‘ืื•ืคืŸ ืกืคืฆื™ืคื™ ื™ื•ืชืจ,

ืงืจื ืขื•ื“ ยป

Shame on You (Fool Me Once, #1)/ Tara Sivec

ืกืคืจ ื—ืžื•ื“ ื‘ื™ื•ืชืจ. ื”ื•ื ื ืข ื‘ื™ืŸ ืฆ'ื™ืง-ืœื™ื˜ ืœืจื•ืžืŸ ืจื•ืžื ื˜ื™ ื‘ืœืฉื™ ื•ื”ื“ืžื•ื™ื•ืช ื‘ื• ืžืงืกื™ืžื•ืช ืฉื”ืจื’ืฉืชื™ ืฉื—ื‘ืœ ืฉื”ื•ื ื”ืกืชื™ื™ื ืžื”ืจ ื›ืœ ื›ืš.

ืงืจื ืขื•ื“ ยป
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